D\u00fcnyaca \u00fcnl\u00fc insanlar\u0131n biyografileri her zaman dikkat \u00e7ekici olmu\u015ftur. \u00c7o\u011fumuz, onlar\u0131n hik\u00e2yelerinden ilham alarak hayallerimize tutunmaya \u00e7al\u0131\u015f\u0131r\u0131z. Neden? Cevap basit: \u00c7\u00fcnk\u00fc ger\u00e7ekler! Hik\u00e2yede birtak\u0131m yanl\u0131\u015flar ya da sapt\u0131rmalar olsa bile sonucunu cazip buldu\u011fumuzdan, film ya da kitap se\u00e7imlerimizi biyografilerden yana kullan\u0131yoruz. Eh, g\u00f6r\u00fcnen o ki yap\u0131mc\u0131lar da bunun fark\u0131nda. \u0130zleyiciler zaman zaman ele\u015ftirse de \u00fcnl\u00fc insanlar\u0131n biyografileri \u00e7o\u011funluk taraf\u0131ndan merak ve ilgiyle izleniyor. \u00d6yleyse gelin, ressamlarla ilgili birka\u00e7 filme bir g\u00f6z atal\u0131m!<\/p>\n\n\n\n
\u00d6zellikle otoportreleriyle t\u00fcm d\u00fcnyada tan\u0131nan \u00fcnl\u00fc sanat\u00e7\u0131 Frida Kahlo\u2019yu, Selma Hayek b\u00fcy\u00fck bir ba\u015far\u0131yla canland\u0131r\u0131yor. Film, Meksikada\u2019ki kom\u00fcnist isyandan Kahlo\u2019nun, bir di\u011fer Meksikal\u0131 sanat\u00e7\u0131 Diego Rivera ile olan \u00e7alkant\u0131l\u0131 evlili\u011fine kadar, sanat\u00e7\u0131n\u0131n bir\u00e7ok y\u00f6n\u00fcn\u00fc izleyiciye sunuyor. Kahlo\u2019nun \u00e7al\u0131\u015fmalar\u0131nda duygular\u0131n\u0131 i\u00e7tenlikle a\u00e7\u0131\u011fa vurmas\u0131n\u0131, onda b\u00fcy\u00fck travma yaratan otob\u00fcs kazas\u0131n\u0131n sanat\u0131n\u0131 tamamen etkilemesini, ard\u0131ndan Meksika Kom\u00fcnist Partisi\u2019ne kat\u0131lmaya nas\u0131l y\u00f6neldi\u011fini de izliyoruz. Kahlo\u2019nun, Rivera\u2019n\u0131n Meksika k\u00fclt\u00fcr\u00fcndeki \u00fcst\u00fcnl\u00fc\u011f\u00fcn\u00fc tehdit etmesiyle olu\u015fan gerilim, filmin en kal\u0131c\u0131 miras\u0131d\u0131r ve feminist bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131n sanat tarihindeki tepe noktas\u0131d\u0131r.<\/p>\n\n\n\n
Film, Pablo Picasso\u2019nun yarat\u0131c\u0131 dehas\u0131n\u0131 ve \u00fcretkenli\u011fini \u015fematize ederken, sanat\u00e7\u0131y\u0131 kutupla\u015ft\u0131r\u0131c\u0131 bir fig\u00fcr haline getiren ki\u015fisel ya\u015fam\u0131n\u0131n ve evliliklerinin daha az gurur verici unsurlar\u0131n\u0131 \u00f6ne \u00e7\u0131kar\u0131yor. Nazi i\u015fgali alt\u0131ndaki Fransa\u2019da Picasso\u2019nun, d\u00fcnyan\u0131n ya\u015fayan en \u00fcnl\u00fc ressam\u0131 Fran\u00e7ois Gilot\u2019la tan\u0131\u015fmas\u0131yla ba\u015flayan film, resimlerinden \u00e7ok ressam\u0131n karakterini ve ki\u015fisel \u00f6zelliklerini anlatmaya odaklan\u0131yor. Bunu yaparken, nadir g\u00f6r\u00fclen politik bir tav\u0131r olan Guernica adl\u0131 tablonun \u00f6nemine de\u011finiliyor tabii ki. Peki, filmde Picasso’yu kim canland\u0131r\u0131yor dersiniz? Hepimizin hayran\u0131 oldu\u011fu, Anthony Hopkins!<\/p>\n\n\n\n
Hollandal\u0131 sanat\u00e7\u0131 Johannes Vermeer, yapt\u0131\u011f\u0131 tablolarda g\u00f6lge ve \u0131\u015f\u0131\u011f\u0131 yans\u0131tmadaki inan\u0131lmaz yetene\u011fi sebebiyle en sayg\u0131 duyulan ustalardan biridir. Filmdeki hik\u00e2ye, baz\u0131 ek unsurlarla biraz s\u00fcslenmi\u015f olsa da sanat\u00e7\u0131n\u0131n \u00fcnl\u00fc tablosunun ard\u0131ndaki s\u0131rr\u0131 \u00f6\u011frenmek ve yarat\u0131c\u0131 s\u00fcrece \u015fahitlik etmek, d\u00fcnyan\u0131n en \u00fcnl\u00fc tablolar\u0131ndan birinin \u00fczerine derinlemesine d\u00fc\u015f\u00fcnmek izleyiciye keyif veriyor. Filmde, \u0130nci K\u00fcpeli K\u0131z\u2019\u0131 Scarlett Johansson canland\u0131r\u0131rken, Colin Firth, Vermeer olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n
Filmde \u0130ngiltere\u2019nin en sevilen ressamlar\u0131ndan biri olan J.M.W. Turner\u2019\u0131, Cannes\u2019da En \u0130yi Erkek Oyuncu \u00f6d\u00fcl\u00fcn\u00fc kazanan Timothy Spall canland\u0131r\u0131yor. Film, Turner\u2019\u0131n, bir sanat\u00e7\u0131 olarak varolu\u015fsal bir ac\u0131ya s\u00fcr\u00fcklendi\u011fi ve f\u0131r\u00e7a darbelerini gev\u015fetti\u011fi ge\u00e7 d\u00f6nem resimlerini g\u00f6zler \u00f6n\u00fcne seriyor. Spall, etraf\u0131ndaki insanlar\u0131 kendi ama\u00e7lar\u0131 i\u00e7in kullanan merhum ressam\u0131n t\u00fcm gergin, s\u0131k\u0131c\u0131 havas\u0131n\u0131 izleyiciye hissettiriyor.<\/p>\n\n\n\n
Willem Dafoe, yine bir ressam olan Julian Schanel\u2019in y\u00f6netti\u011fi, Van Gogh\u2019un delili\u011fe do\u011fru gidi\u015fini konu alan filmde ba\u015far\u0131l\u0131 performans\u0131yla g\u00f6z dolduruyor. Film, Van Gogh\u2019un sanat t\u00fcccar\u0131 karde\u015fi Theo ve hal\u00fcsinasyonlar\u0131n\u0131n ba\u015flad\u0131\u011f\u0131 d\u00f6nemdeki manzara resimlerini yaparken ya\u015fad\u0131\u011f\u0131 zorluklarla birlikte, en b\u00fcy\u00fck eserlerini yaratt\u0131\u011f\u0131 Fransa\u2019n\u0131n Arles kentindeki yerel halkla olan ili\u015fkisini inceliyor. \u00dcnl\u00fc ressam\u0131n kula\u011f\u0131n\u0131 kesti\u011fi b\u00f6l\u00fcm de filme dahil. Film ne kadar sessiz ve sakin olsa da Dafoe, g\u00fc\u00e7l\u00fc bir performans sergiliyor.<\/p>\n\n\n\n
Sanat\u00e7\u0131n\u0131n damlama tekni\u011findeki geli\u015fiminin, Lee Krasner ile olan f\u0131rt\u0131nal\u0131 evlili\u011finin ve milyoner sanat koleksiyoncusu Peggy Guggenheim ile olan ili\u015fkilerinin izini s\u00fcren filmin ba\u015f rol\u00fcnde Ed Harris\u2019i g\u00f6r\u00fcyoruz. \u00dcnl\u00fc sanat\u00e7\u0131, maalesef, k\u00f6t\u00fc \u015f\u00f6hretli ve alkolikti. Sanat eserleriyle o kadar yo\u011fun bir ili\u015fkisi vard\u0131 ki bu durum onun etraf\u0131ndakilere yabanc\u0131la\u015fmas\u0131na sebep oluyordu. Ne var ki, istikrars\u0131z hayat\u0131 onun avangart resmin en b\u00fcy\u00fck y\u0131ld\u0131z\u0131 olmas\u0131na ve Time Dergisi\u2019nin kapa\u011f\u0131na \u00e7\u0131kmas\u0131na engel olmad\u0131.<\/p>\n\n\n\n
Derek Jarman\u2019\u0131n y\u00f6netti\u011fi filmde Tilda Swinton ve Sean Bean oynuyor. Caravaggio\u2019nun hayat\u0131n\u0131 par\u00e7a par\u00e7a anlatan film, sanat\u00e7\u0131n\u0131n \u00f6l\u00fcm\u00fcyle a\u00e7\u0131l\u0131yor ve bize onun hayat\u0131ndaki baz\u0131 \u00f6nemli olaylar\u0131 geriye d\u00f6n\u00fc\u015flerle g\u00f6steriyor. T\u00fcm zamanlar\u0131n en \u00fcnl\u00fc sanat\u00e7\u0131lar\u0131ndan birinin de\u011fi\u015fken d\u00fcnyas\u0131yla tan\u0131\u015ft\u0131k\u00e7a, onun resimleri ve bunlar\u0131n ard\u0131ndaki hik\u00e2yeler hayat buluyor.<\/p>\n\n\n\n
Norve\u00e7li y\u00f6netmen Henrik Martin Dahlsbakken, sanat\u00e7\u0131y\u0131 hayat\u0131n\u0131n \u00e7e\u015fitli a\u015famalar\u0131nda canland\u0131rmak i\u00e7in biri kad\u0131n olmak \u00fczere d\u00f6rt farkl\u0131 oyuncuyla \u00e7al\u0131\u015f\u0131yor. B\u00f6l\u00fcmler do\u011frusal olmayan bir \u015fekilde, \u00e7ok say\u0131da konumda ve renkli ile siyah beyaz aras\u0131nda ge\u00e7i\u015f yapan sahnelerle izleyiciye ula\u015f\u0131yor. Bir biyografi olsa da film daha \u00e7ok huzursuz bir makale gibi.<\/p>\n","protected":false},"excerpt":{"rendered":"
D\u00fcnyaca \u00fcnl\u00fc insanlar\u0131n biyografileri her zaman dikkat \u00e7ekici olmu\u015ftur. \u00c7o\u011fumuz, onlar\u0131n hik\u00e2yelerinden ilham alarak hayallerimize tutunmaya \u00e7al\u0131\u015f\u0131r\u0131z. Neden? Cevap basit: \u00c7\u00fcnk\u00fc ger\u00e7ekler! Hik\u00e2yede birtak\u0131m yanl\u0131\u015flar ya da sapt\u0131rmalar olsa bile sonucunu cazip buldu\u011fumuzdan, film ya da kitap se\u00e7imlerimizi biyografilerden yana kullan\u0131yoruz. Eh, g\u00f6r\u00fcnen o ki yap\u0131mc\u0131lar da bunun fark\u0131nda. \u0130zleyiciler zaman zaman ele\u015ftirse de \u00fcnl\u00fc […]<\/p>\n","protected":false},"author":3,"featured_media":993,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_gspb_post_css":"","footnotes":""},"categories":[36],"tags":[],"class_list":["post-991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ilham-verenler"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/comments?post=991"}],"version-history":[{"count":1,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/991\/revisions"}],"predecessor-version":[{"id":992,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/991\/revisions\/992"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media\/993"}],"wp:attachment":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media?parent=991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/categories?post=991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/tags?post=991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}