La Gioconda olarak da bilinen Mona Lisa, Francesco Del Giocondo\u2019nun kar\u0131s\u0131d\u0131r. Ah\u015fap \u00fczerine ya\u011fl\u0131 boya ile yap\u0131lm\u0131\u015f olan tablonun boyu 77.53 cm\u2019dir ve sahibi Fransa H\u00fck\u00fcmeti\u2019dir. Bilindi\u011fi \u00fczere Fransa\u2019daki Louvre M\u00fczesi\u2019nde sergilenmektedir. Da\u011fl\u0131k bir manzaran\u0131n \u00f6n\u00fcnde oturan bu hayalperest kad\u0131n fig\u00fcr\u00fc, Leonardo\u2019nun yumu\u015fak, yo\u011fun g\u00f6lgeli modellemelerden olu\u015fan sfumato tekni\u011finin dikkate de\u011fer bir \u00f6rne\u011fidir. Eserde Mona Lisa hem \u00e7ekici hem de mesafeli g\u00f6r\u00fcnen esrarengiz bir ifadeye sahiptir. Onu d\u00fcnya \u00e7ap\u0131nda bu kadar \u00fcnlendiren de \u015f\u00fcphesiz, bu ifadesidir.<\/p>\n\n\n\n
Tablo, \u0130talyanca\u2019da \u2018\u2019gioconda\u2019\u2019 kelimesinin \u00e7a\u011fr\u0131\u015ft\u0131rd\u0131\u011f\u0131 mutluluk fikrinin adeta g\u00f6rsel bir temsilidir. Leonardo, bu mutluluk kavram\u0131n\u0131 portrenin ana motifi haline getirmi\u015ftir. Mona Lisa\u2019n\u0131n arkas\u0131ndaki peyzaj\u0131n da eserde etkisi vard\u0131r. Fig\u00fcr\u00fcn g\u00f6\u011fs\u00fcyle ayn\u0131 hizada olan k\u0131s\u0131m s\u0131cak renklerdedir. Bununla birlikte, dolamba\u00e7l\u0131 bir yol ve bir k\u00f6pr\u00fc g\u00f6ze \u00e7arpar.<\/p>\n\n\n\n
Resim, fig\u00fcr\u00fc hayali bir manzara \u00f6n\u00fcnde tasvir eden ilk portreler aras\u0131ndad\u0131r ve Leonardo hava perspektifini kullanan ilk ressamlardan biridir. Esrarengiz kad\u0131n, her iki yan\u0131nda koyu renkli s\u00fctun kaideleri bulunan a\u00e7\u0131k bir sundurma gibi g\u00f6r\u00fcnen bir yerde otururken tasvir edilmektedir. Arkas\u0131nda geni\u015f bir manzara buzlu da\u011flara do\u011fru uzanmaktad\u0131r. Dolamba\u00e7l\u0131 yollar ve uzaktaki k\u00f6pr\u00fc, insan varl\u0131\u011f\u0131n\u0131n ufak izlerini yans\u0131tmaktad\u0131r. Kad\u0131n\u0131n sa\u00e7lar\u0131n\u0131n ve k\u0131yafetinin sfumato tekni\u011fi ile yarat\u0131lan k\u0131vr\u0131mlar\u0131, arkas\u0131ndaki hayali vadilere ve nehirlere adeta yans\u0131maktad\u0131r. Bulan\u0131k hatlar, zarif fig\u00fcr, dramatik \u0131\u015f\u0131k, kontrastlar ve sakinlik hissi Da Vinci\u2019nin tarz\u0131n\u0131n karakteristik \u00f6zellikleridir. Da Vinci\u2019nin model ve manzara aras\u0131nda elde etti\u011fi etkileyici sentez nedeniyle, Mona Lisa\u2019n\u0131n ger\u00e7ek bir kad\u0131ndan \u00e7ok bir ideali temsil etti\u011fi d\u00fc\u015f\u00fcn\u00fcl\u00fcr ve bu nedenle geleneksel bir portre olarak kabul edilip edilmeyece\u011fi tart\u0131\u015f\u0131l\u0131r.<\/p>\n\n\n\n
R\u00f6nesans\u2019ta sanat, bilim ve hayata dair hakikat demektir. Leonardo Da Vinci \u00f6nemli bir R\u00f6nesans sanat\u00e7\u0131s\u0131yd\u0131 \u00e7\u00fcnk\u00fc onda sanat\u00e7\u0131 ve bilim adam\u0131n\u0131n bilgeli\u011fi ile \u015fair ve ustal\u0131k da bir aradayd\u0131.<\/p>\n\n\n\n
Mona Lisa\u2019da, do\u011fan\u0131n yarat\u0131m\u0131 olan birey, ayn\u0131 zamanda t\u00fcr\u00fc de temsil eder: Portre, toplumsal s\u0131n\u0131rlamalar\u0131n \u00f6tesine ge\u00e7erek evrensel bir anlam kazan\u0131r. Leonardo, Mona Lisa\u2019s\u0131yla seleflerininkinden daha an\u0131tsal, daha canl\u0131, daha somut ve \u015fiirsel, yeni bir form\u00fcl yaratm\u0131\u015ft\u0131r. Ondan \u00f6nceki portrelerde gizem yoktu; sanat\u00e7\u0131lar ruh olmadan sadece d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015fleri temsil eder ya da ruhu g\u00f6steriyorlarsa onu jestlerle, sembolik nesnelerle ya da yaz\u0131larda ifade etmeye \u00e7al\u0131\u015f\u0131yorlard\u0131. Mona Lisa ise tek ba\u015f\u0131na ya\u015fayan bir muammad\u0131r. Ruh oradad\u0131r ama eri\u015filemez.<\/p>\n\n\n\n
Bu Ba\u015fyap\u0131t Hakk\u0131nda Bilmeniz Gereken 10 Ger\u00e7ek<\/p>\n\n\n\n
1. I. Fran\u00e7ois, XIV. Louis ve Napolyon ile ya\u015fad\u0131.<\/p>\n\n\n\n
Da Vinci, ba\u015fyap\u0131t\u0131 \u00fczerinde \u00e7al\u0131\u015fmaya \u0130talya\u2019da ba\u015flad\u0131 ancak Kral I. Fran\u00e7ois\u2019n\u0131n iste\u011fi \u00fczerine Fransa\u2019ya ta\u015f\u0131nana kadar eserini bitiremedi. Frans\u0131z kral\u0131 tabloyu, Fontainbleau Saray\u0131\u2019nda as\u0131rlarca sergiledi. Ard\u0131ndan XIV. Louis tabloyu Versailles Saray\u0131\u2019na ta\u015f\u0131d\u0131. 19. y\u00fczy\u0131l ba\u015f\u0131nda Napolyon Bonapart ise tabloyu yatak odas\u0131nda tutuyordu.<\/p>\n\n\n\n
2. Baz\u0131 tarih\u00e7iler Mona Lisa\u2019n\u0131n, sanat\u00e7\u0131n\u0131n otoportresi oldu\u011funa inan\u0131yor.<\/p>\n\n\n\n
Da Vinci, 1519\u2019da \u00f6ld\u00fc ve bir Frans\u0131z kalesine g\u00f6m\u00fcld\u00fc. \u0130talya K\u00fclt\u00fcrel Miras Komitesi bir soru\u015fturma y\u00fcr\u00fcterek, sanat\u00e7\u0131n\u0131n kafatas\u0131n\u0131 \u00e7\u0131karmay\u0131 planl\u0131yor. CGI tarz\u0131 teknolojiyi kullanarak Leonardo\u2019nun y\u00fcz\u00fcn\u00fc yeniden in\u015fa etmeyi ama\u00e7l\u0131yorlar. Bakal\u0131m Mona Lisa\u2019ya benzeyecek mi?<\/p>\n\n\n\n
3. Paris\u2019teki Louvre M\u00fczesi\u2019nde kendi odas\u0131 var.<\/p>\n\n\n\n
2003 y\u0131l\u0131nda Louvre\u2019u yenileme \u00e7al\u0131\u015fmalar\u0131n\u0131n ard\u0131ndan, tablonun kendi odas\u0131 oldu. Cam tavan do\u011fal \u0131\u015f\u0131\u011f\u0131n i\u00e7eri girmesini sa\u011flarken k\u0131r\u0131lmaz cam vitrin s\u0131cakl\u0131\u011f\u0131n\u0131 korumakta, k\u00fc\u00e7\u00fck spot \u0131\u015f\u0131\u011f\u0131, sanat\u00e7\u0131n\u0131n orijinal boyalar\u0131n\u0131n ger\u00e7ek renklerini ortaya \u00e7\u0131karmaktad\u0131r.<\/p>\n\n\n\n
4. Bu bir tablo ama bir tuval de\u011fil.<\/p>\n\n\n\n
Da Vinci\u2019nin \u00fcnl\u00fc eseri kavak a\u011fac\u0131ndan yap\u0131lm\u0131\u015f bir tahta \u00fczerine boyanm\u0131\u015ft\u0131r. Tuval, 14. y\u00fczy\u0131ldan beri mevcuttu ancak bir\u00e7ok R\u00f6nesans ustas\u0131, sanat eserlerinin temeli olarak ah\u015fab\u0131 tercih ettiler.<\/p>\n\n\n\n
5. Jackie Kennedy onu davet etti.<\/p>\n\n\n\n
Frans\u0131z yetkililer tabloyu y\u0131llar boyunca g\u00f6zlerinin \u00f6n\u00fcnden ay\u0131rmad\u0131lar ancak Jackie Kennedy, tablonun Amerika\u2019y\u0131 ziyaret edip edemeyece\u011fini sordu\u011funda Fransa Cumhurba\u015fkan\u0131 De Gaulle olumlu yan\u0131t verdi. B\u00f6ylece Mona Lisa, Washington\u2019daki Ulusal Sanat Galerisi\u2019nde ve ard\u0131ndan da New York\u2019taki Metropolitan M\u00fcze\u2019sinde sergilendi.<\/p>\n\n\n\n
6. Bir h\u0131rs\u0131z onu me\u015fhur etti.<\/p>\n\n\n\n
Tablo her ne kadar sanat d\u00fcnyas\u0131nda daima kabul g\u00f6rm\u00fc\u015f olsa da 1911 yaz\u0131nda \u00e7al\u0131nana kadar halk\u0131n dikkatini \u00e7ekmedi. Gazeteler bu h\u0131rs\u0131zl\u0131\u011f\u0131n hikayesini d\u00fcnya \u00e7ap\u0131nda yayd\u0131. Tablo nihayet, iki sene sonra Louvre\u2019a geri d\u00f6nd\u00fc\u011f\u00fcnde neredeyse t\u00fcm d\u00fcnya onu alk\u0131\u015fl\u0131yordu.<\/p>\n\n\n\n
7. Picasso h\u0131rs\u0131zl\u0131k \u015f\u00fcphesi alt\u0131ndayd\u0131.<\/p>\n\n\n\n
Soru\u015fturma s\u0131ras\u0131nda jandarmalar, Pablo Picasso gibi \u00fcnl\u00fc sanat\u00e7\u0131lar\u0131 h\u0131rs\u0131zl\u0131kla ilgili sorgulayacak kadar ileri gitti. Bir zamanlar tablonun yak\u0131lmas\u0131 gerekti\u011fini s\u00f6yleyen \u015fair Guillaume Apollinaire\u2019i k\u0131sa s\u00fcreli\u011fine tutuklad\u0131lar. \u015e\u00fcphelerin as\u0131ls\u0131z oldu\u011fu ortaya \u00e7\u0131kt\u0131.<\/p>\n\n\n\n
8. Hayran mektuplar\u0131 al\u0131yor.<\/p>\n\n\n\n
Tablonun Louvre\u2019a ilk geldi\u011fi 1815 y\u0131l\u0131ndan bu yana Mona Lisa, hayranlar\u0131ndan \u00e7ok say\u0131da a\u015fk mektubu ve \u00e7i\u00e7ek ald\u0131. Hatta kendi posta kutusu bile var.<\/p>\n\n\n\n
9. Herkes hayran de\u011fil.<\/p>\n\n\n\n
\u00c7e\u015fitli vandallar, \u00fcnl\u00fc esere zarar vermeye \u00e7al\u0131\u015ft\u0131. 1956 y\u0131l\u0131, \u00f6zellikle k\u00f6t\u00fc bir y\u0131ld\u0131. Yap\u0131lan iki sald\u0131r\u0131n\u0131n birinde bir ki\u015fi tabloya asit, di\u011ferindeyse ta\u015f att\u0131. Hasar hafif olsa da yine de fark ediliyor. Kur\u015fun ge\u00e7irmez cam\u0131n eklenmesi, 1974\u2019te sprey boyayla ve 2009\u2019da kahve fincan\u0131yla yap\u0131lan sald\u0131r\u0131larda tabloyu korudu.<\/p>\n\n\n\n
10. Al\u0131namaz veya sat\u0131lamaz.<\/p>\n\n\n\n
Paha bi\u00e7ilemez olan tablo, Frans\u0131z kanunlar\u0131na g\u00f6re al\u0131n\u0131p sat\u0131lamaz. Louvre koleksiyonunun bir par\u00e7as\u0131 olan \u201cMona Lisa\u201d, anla\u015fmaya g\u00f6re halka ve onlar\u0131n kalplerine aittir.<\/p>\n","protected":false},"excerpt":{"rendered":"
La Gioconda olarak da bilinen Mona Lisa, Francesco Del Giocondo\u2019nun kar\u0131s\u0131d\u0131r. Ah\u015fap \u00fczerine ya\u011fl\u0131 boya ile yap\u0131lm\u0131\u015f olan tablonun boyu 77.53 cm\u2019dir ve sahibi Fransa H\u00fck\u00fcmeti\u2019dir. Bilindi\u011fi \u00fczere Fransa\u2019daki Louvre M\u00fczesi\u2019nde sergilenmektedir. Da\u011fl\u0131k bir manzaran\u0131n \u00f6n\u00fcnde oturan bu hayalperest kad\u0131n fig\u00fcr\u00fc, Leonardo\u2019nun yumu\u015fak, yo\u011fun g\u00f6lgeli modellemelerden olu\u015fan sfumato tekni\u011finin dikkate de\u011fer bir \u00f6rne\u011fidir. Eserde Mona […]<\/p>\n","protected":false},"author":3,"featured_media":986,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_gspb_post_css":"","footnotes":""},"categories":[41],"tags":[],"class_list":["post-985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basyapitlar"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/comments?post=985"}],"version-history":[{"count":1,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/985\/revisions"}],"predecessor-version":[{"id":987,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/985\/revisions\/987"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media\/986"}],"wp:attachment":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media?parent=985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/categories?post=985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/tags?post=985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}