{"id":973,"date":"2024-07-25T11:53:48","date_gmt":"2024-07-25T11:53:48","guid":{"rendered":"http:\/\/ivasanat.com:8080\/blog\/?p=973"},"modified":"2024-07-29T10:57:46","modified_gmt":"2024-07-29T07:57:46","slug":"sanatcilar-ve-kedileri","status":"publish","type":"post","link":"https:\/\/ivasanat.com\/blog\/sanatcilar-ve-kedileri\/","title":{"rendered":"Sanat\u00e7\u0131lar ve Kedileri"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>AI WEIWEI<\/strong><\/h2>\n\n\n\n<p>\u00c7a\u011fda\u015f sanat\u00e7\u0131 Ai Weiwei\u2019nin kendi tasarlad\u0131\u011f\u0131 Beijing\u2019deki st\u00fcdyosu ayn\u0131 zamanda k\u0131rk\u0131 a\u015fk\u0131n kedisine de ev sahipli\u011fi yap\u0131yor. Kendi dedi\u011fine g\u00f6re, kedilerinden biri kap\u0131lar\u0131 nas\u0131l a\u00e7aca\u011f\u0131n\u0131 bile \u00f6\u011frenmi\u015f. Bu da sanat\u00e7\u0131n\u0131n \u00f6nc\u00fc ve \u00f6zg\u00fcrle\u015ftirici \u00e7al\u0131\u015fmalar\u0131 i\u00e7in iyi bir metafor olabilir. Sans\u00fcre kar\u015f\u0131 devam eden m\u00fccadelelerine ra\u011fmen, sanat\u00e7\u0131n\u0131n kedileri ona bir miktar teselli sunuyor gibi g\u00f6r\u00fcn\u00fcyor. Ai Weiwei\u2019nin sosyal medyas\u0131na g\u00f6z atarsan\u0131z \u00e7o\u011funlukla kedilerinin foto\u011fraflar\u0131n\u0131 payla\u015ft\u0131\u011f\u0131n\u0131 g\u00f6rebilirsiniz.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>ALBERT DUBOUT<\/strong><\/h2>\n\n\n\n<p>Frans\u0131z ill\u00fcstrat\u00f6r Dubout, bir\u00e7o\u011fu kedi temal\u0131 olan ve kendi evcil hayvanlar\u0131n\u0131n da maceralar\u0131na dayanan ironik karikat\u00fcrleriyle tan\u0131n\u0131yordu. Kedilerini ars\u0131z ve \u015fakac\u0131 olarak tasvir ederdi. \u00c7izimlerinde kedileri yaramaz olsa dahi her zaman sofistike bir etki yay\u0131yordu.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>FRIDA KAHLO<\/strong><\/h2>\n\n\n\n<p>\u00dcnl\u00fc sanat\u00e7\u0131, \u201cMavi Ev\u201d olarak bilinen evinde maymunlar, bir geyik, ku\u015flar, k\u00f6pekler ve kediler olmak \u00fczere bir\u00e7ok hayvan besliyordu. Bu \u00e7e\u015fitli ve birbirinden farkl\u0131 ilham perileri \u00f6zg\u00fcrce dola\u015f\u0131yor, sanat\u00e7\u0131n\u0131n onlarca resminde koruyucu semboller olarak boy g\u00f6steriyordu.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>GUSTAVE KLIMT<\/strong><\/h2>\n\n\n\n<p>Avusturyal\u0131 sembolist Klimt\u2019in st\u00fcdyosu her zaman kad\u0131n ve kediyle dolu olurdu. \u00d6zenle \u015fekillendirilmi\u015f ilham perilerinin \u015fehvetli ve g\u00f6steri\u015fli resimleri, kedigillere olan sevgisini g\u00f6lgede b\u0131rakmad\u0131. Kedilerinden birinin ad\u0131, Almancada \u201ckedi\u201d anlam\u0131na gelen \u201cKatze\u201d idi. Friederike Maria Beer- Monti adl\u0131 favori modellerinden biri, sanat\u00e7\u0131y\u0131 \u201chayvan benzeri\u201d olarak tarif ederdi.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>HENRI MATISSE<\/strong><\/h2>\n\n\n\n<p>Resim sanat\u0131n\u0131n yerle\u015fik kurallar\u0131n\u0131 y\u0131kan ve modernitenin \u015fekillenmesine yard\u0131mc\u0131 olan sanat\u00e7\u0131n\u0131n, ba\u015f\u0131na buyruklu\u011fuyla bilinen kedilere d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fc anla\u015f\u0131labilir. \u00c7a\u011fda\u015flar\u0131, onun renk ve bi\u00e7imlerdeki sadeli\u011fini pek benimsemediler ancak sanat\u00e7\u0131n\u0131n \u00e7al\u0131\u015fmalar\u0131 g\u00fcn\u00fcm\u00fczde ilgiyle kar\u015f\u0131lan\u0131yor. Matisse\u2019in etkileyici kad\u0131n fig\u00fcrleri \u00f6zg\u00fcvenli ve g\u00f6steri\u015ften uzakken, kendi kaderini tayin eden, g\u00fc\u00e7l\u00fc bir etki sunuyor. \u201cKara Kedili K\u0131z\u201d adl\u0131 eserinde kedi, merkezdedir. Sanat\u00e7\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 m\u00fcddet\u00e7e bir\u00e7ok kediye ev sahipli\u011fi yapt\u0131\u011f\u0131 biliniyor.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>MARGARET BOURKE-WHITE<\/strong><\/h2>\n\n\n\n<p>\u00d6nc\u00fc belgesel foto\u011fraf\u00e7\u0131s\u0131, ilk kad\u0131n sava\u015f muhabiri ve \u201cLife\u201d\u0131n \u00f6m\u00fcr boyu kadrolu ilk foto muhabirlerinden biriydi. \u00c7\u0131\u011f\u0131r a\u00e7an bir\u00e7oklar\u0131 gibi o da kedi merakl\u0131s\u0131yd\u0131 ve y\u0131llar boyunca s\u0131k s\u0131k evcil hayvanlar\u0131yla foto\u011fraf verdi.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>PABLO PICASSO<\/strong><\/h2>\n\n\n\n<p>Picasso, her ne kadar resmetti\u011fi vah\u015fet ve tutku sahneleriyle \u00f6v\u00fclse de \u015fefkat dolu biri oldu\u011fu hayvanlar sayesinde ortaya \u00e7\u0131kt\u0131. 20. y\u00fczy\u0131lda ustan\u0131n sanat\u0131n\u0131n bir par\u00e7as\u0131 olan kediler, onun ola\u011fan\u00fcst\u00fc kariyeri boyunca en az tutkuyla resmetti\u011fi kad\u0131nlar kadar \u00f6ne \u00e7\u0131k\u0131yordu. Paris\u2019te ya\u015fad\u0131\u011f\u0131 y\u0131llarda gen\u00e7 ressam, sokakta miyavlarken buldu\u011fu ve \u201cMinou\u201d (FR: Kedicik) ad\u0131n\u0131 verdi\u011fi siyam kedisi ile dost oldu. Seneler sonra, yetmi\u015fli ya\u015flar\u0131nda Fransa\u2019da, kuca\u011f\u0131nda bir tekir kediyle, Fovist ressam Carlos Nadal taraf\u0131ndan foto\u011frafland\u0131.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>ROMARE BEARDEN<\/strong><\/h2>\n\n\n\n<p>\u00d6nc\u00fc sanat\u00e7\u0131, kolaj ustas\u0131 ve kedi a\u015f\u0131\u011f\u0131 Bearden, \u201cGippo\u201d ad\u0131ndaki kedisine deli oluyordu. Bu \u00e7izgili kedi olduk\u00e7a yak\u0131\u015f\u0131kl\u0131yd\u0131 ve sahibiyle \u00e7ektirece\u011fi hi\u00e7bir foto\u011fraf\u0131 ka\u00e7\u0131rmazd\u0131. Bearden bir r\u00f6portaj\u0131nda \u015f\u00f6yle diyordu:<\/p>\n\n\n\n<p>\u201cGippo\u2019yu bir ormanda, odunlar\u0131n aras\u0131nda buldum. \u0130lk d\u00f6nemler i\u00e7inde vah\u015fi ve k\u00fc\u00e7\u00fck bir kedi vard\u0131, biraz zaman alsa da b\u00fcy\u00fcd\u00fck\u00e7e onu ehlile\u015ftirdim. \u015eimdi mutlu. St\u00fcdyom sanki onun.\u201d<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>SALVADOR DALI<\/strong><\/h2>\n\n\n\n<p>Hi\u00e7bir zaman kurallara g\u00f6re oynamaktan ya da bizlerin yapt\u0131\u011f\u0131 gibi uygun davran\u0131\u015flar\u0131 takip etmekten memnun olmayan eksantrik s\u00fcrrealist ressam Dali, Kolombiyal\u0131 oseloyu (Amerika\u2019ya \u00f6zg\u00fc k\u00fc\u00e7\u00fck, siyah, benekli vah\u015fi kedi) evcil hayvan olarak besledi. Her ne kadar evcil bir kediye benzese de bu t\u00fcr, son derece amans\u0131z bir sava\u015f\u00e7\u0131 olarak bilinir. Dali\u2019nin bu de\u011ferli oselosunun ad\u0131 \u201cBabou\u201d idi. Babou, sanat\u00e7\u0131n\u0131n kendisine sundu\u011fu l\u00fcks Fransa gemi seyahatleri, m\u00fccevherli tasmalar, kaliteli yemekler ve Eyfel Kulesi\u2019nin tepesinde gezmek gibi bir\u00e7ok imk\u00e2n\u0131n tad\u0131n\u0131 \u00e7\u0131kararak ya\u015fad\u0131. Babou en \u00e7ok kapal\u0131 televizyonun \u00f6n\u00fcnde uyumay\u0131 severdi. Dali\u2019nin \u0130spanya\u2019daki evinde ise zeytin a\u011fa\u00e7lar\u0131n\u0131n alt\u0131nda uyumay\u0131 tercih ederdi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AI WEIWEI \u00c7a\u011fda\u015f sanat\u00e7\u0131 Ai Weiwei\u2019nin kendi tasarlad\u0131\u011f\u0131 Beijing\u2019deki st\u00fcdyosu ayn\u0131 zamanda k\u0131rk\u0131 a\u015fk\u0131n kedisine de ev sahipli\u011fi yap\u0131yor. Kendi dedi\u011fine g\u00f6re, kedilerinden biri kap\u0131lar\u0131 nas\u0131l a\u00e7aca\u011f\u0131n\u0131 bile \u00f6\u011frenmi\u015f. Bu da sanat\u00e7\u0131n\u0131n \u00f6nc\u00fc ve \u00f6zg\u00fcrle\u015ftirici \u00e7al\u0131\u015fmalar\u0131 i\u00e7in iyi bir metafor olabilir. Sans\u00fcre kar\u015f\u0131 devam eden m\u00fccadelelerine ra\u011fmen, sanat\u00e7\u0131n\u0131n kedileri ona bir miktar teselli sunuyor gibi [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":981,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_gspb_post_css":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanatcilar"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/comments?post=973"}],"version-history":[{"count":1,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/973\/revisions"}],"predecessor-version":[{"id":974,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/973\/revisions\/974"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media\/981"}],"wp:attachment":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media?parent=973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/categories?post=973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/tags?post=973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}