{"id":3363,"date":"2026-05-22T10:24:20","date_gmt":"2026-05-22T07:24:20","guid":{"rendered":"https:\/\/ivasanat.com\/blog\/?p=3363"},"modified":"2026-05-22T10:24:22","modified_gmt":"2026-05-22T07:24:22","slug":"fikret-mualla-kimdir-hayati-sanati-eserleri","status":"publish","type":"post","link":"https:\/\/ivasanat.com\/blog\/fikret-mualla-kimdir-hayati-sanati-eserleri\/","title":{"rendered":"Fikret Mualla: Paris’in Bohem T\u00fcrk Ressam\u0131"},"content":{"rendered":"\n

D\u00fcnyaca \u00fcnl\u00fc bir ressam\u0131n, ba\u015fyap\u0131tlar\u0131n\u0131 bir kadeh \u015farap veya s\u0131cak bir \u00e7orba kar\u015f\u0131l\u0131\u011f\u0131nda Paris bistrolar\u0131n\u0131n masalar\u0131na b\u0131rakt\u0131\u011f\u0131n\u0131 duymak bug\u00fcn kula\u011fa bir efsane gibi gelebilir. Ancak Fikret Mualla s\u00f6z konusu oldu\u011funda, s\u0131n\u0131rlar\u0131 zorlayan bu bohem ya\u015fam tarz\u0131 tam anlam\u0131yla ger\u00e7e\u011fin kendisidir. Ak\u0131l hastaneleri, polis nezarethaneleri ve derme \u00e7atma otel odalar\u0131 aras\u0131nda ge\u00e7en \u00f6mr\u00fcne ra\u011fmen, ortaya \u00e7\u0131kard\u0131\u011f\u0131 tuvallerde karanl\u0131ktan eser yoktur. Aksine, ressam\u0131n f\u0131r\u00e7as\u0131ndan d\u00f6k\u00fclen her bir damla, ya\u015fam\u0131n en canl\u0131, en hareketli ve en g\u00fcr\u00fclt\u00fcl\u00fc renklerini bar\u0131nd\u0131r\u0131r. Modern T\u00fcrk resim sanat\u0131n\u0131n en nevi \u015fahs\u0131na m\u00fcnhas\u0131r isimlerinden biri olan bu sanat\u00e7\u0131n\u0131n ya\u015fam \u00f6yk\u00fcs\u00fc, hem trajik bir \u00e7\u00f6k\u00fc\u015f\u00fc hem de renklerle kazan\u0131lan bir zaferi ayn\u0131 anda bar\u0131nd\u0131r\u0131r. A\u015fa\u011f\u0131daki sat\u0131rlarda, Fikret Mualla\u2019n\u0131n Kad\u0131k\u00f6y Moda\u2019da ba\u015flayan ve Fransa\u2019n\u0131n Reillanne kasabas\u0131nda son bulan sars\u0131nt\u0131l\u0131 hayat\u0131n\u0131, sanat\u0131na y\u00f6n veren psikolojik buhranlar\u0131n\u0131 ve d\u00f6nemin Paris sokaklar\u0131n\u0131 resmetti\u011fi unutulmaz tablolar\u0131n\u0131 derinlemesine inceleyece\u011fiz.<\/p>\n\n\n\n

Fikret Mualla Kimdir?<\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Fikret Mualla, 1903 y\u0131l\u0131nda \u0130stanbul\u2019da do\u011fan ve hayat\u0131n\u0131n \u00e7ok b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131 Fransa\u2019da ge\u00e7irerek modern sanat d\u00fcnyas\u0131nda kendine has bir yer edinen T\u00fcrk ressamd\u0131r. Onu yaln\u0131zca bir ressam olarak tan\u0131mlamak, sanat\u00e7\u0131n\u0131n karma\u015f\u0131k i\u00e7 d\u00fcnyas\u0131n\u0131 ve \u00fcretti\u011fi Fikret Mualla eserleri arkas\u0131ndaki f\u0131rt\u0131nal\u0131 ruh halini eksik b\u0131rak\u0131r. Ya\u015fad\u0131\u011f\u0131 d\u00f6nemin normlar\u0131na hi\u00e7bir zaman uyum sa\u011flayamayan, akademik kurallar\u0131 reddeden ve sanat\u0131n\u0131 sokaklar\u0131n, bistrolar\u0131n, s\u0131radan insanlar\u0131n ritmiyle \u015fekillendiren bir karakterdir.<\/p>\n\n\n\n

Sanat\u00e7\u0131n\u0131n tam ad\u0131 Fikret Mualla Sayg\u0131\u2019d\u0131r. Cumhuriyet d\u00f6neminin ilk sanat\u00e7\u0131 ku\u015fa\u011f\u0131na mensup olmas\u0131na ra\u011fmen, \u00e7a\u011fda\u015flar\u0131n\u0131n aksine devleti temsil eden resmi sanat anlay\u0131\u015f\u0131ndan uzak durmu\u015ftur. Modern T\u00fcrk ressamlar\u0131 aras\u0131nda, Bat\u0131\u2019n\u0131n sanat ba\u015fkenti Paris\u2019te kendi tarz\u0131n\u0131 hi\u00e7bir gruba veya ak\u0131ma do\u011frudan ba\u011fl\u0131 kalmadan, tamamen ki\u015fisel bir ifade bi\u00e7imiyle var edebilen nadir isimlerden biridir.<\/p>\n\n\n\n

Fikret Mualla Hayat\u0131<\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Fikret Mualla\u2019n\u0131n \u00e7ocukluk y\u0131llar\u0131, Kad\u0131k\u00f6y\u2019\u00fcn Moda semtinde, d\u00f6nemin D\u00fcyun-u Umumiye yetkililerinden biri olan babas\u0131 Ekrem Bey ve annesi Nevber Han\u0131m ile birlikte olduk\u00e7a rahat bir ortamda ba\u015flam\u0131\u015ft\u0131r. Ne var ki, Saint Joseph ve Galatasaray Liselerinde ald\u0131\u011f\u0131 e\u011fitimin ard\u0131ndan hayat\u0131 art arda gelen travmalarla sars\u0131l\u0131r. Galatasaray Lisesi\u2019nde futbol oynad\u0131\u011f\u0131 s\u0131rada ge\u00e7irdi\u011fi a\u011f\u0131r bir sakatl\u0131k sonucu bir baca\u011f\u0131n\u0131n sakat kalmas\u0131, ressam\u0131n ya\u015fam\u0131ndaki ilk b\u00fcy\u00fck fiziksel ve psikolojik k\u0131r\u0131lmad\u0131r.<\/p>\n\n\n\n

As\u0131l b\u00fcy\u00fck y\u0131k\u0131m\u0131 ise 1918 y\u0131l\u0131ndaki \u0130spanyol gribi salg\u0131n\u0131nda annesi Nevber Han\u0131m\u2019\u0131 kaybetmesiyle ya\u015far. Annesinin \u00f6l\u00fcm\u00fc \u00fczerine hissetti\u011fi derin su\u00e7luluk duygusu ve babas\u0131n\u0131n k\u0131sa s\u00fcre sonra yeniden evlenmesi, sanat\u00e7\u0131n\u0131n \u0130stanbul\u2019dan uzakla\u015fma iste\u011fini tetikler. M\u00fchendislik e\u011fitimi almas\u0131 i\u00e7in \u0130svi\u00e7re\u2019ye g\u00f6nderilen Fikret Mualla, teknik e\u011fitim almak yerine sanat\u0131n pe\u015finden gitmeyi se\u00e7erek Almanya\u2019ya, M\u00fcnih ve Berlin\u2019e ge\u00e7er. Berlin G\u00fczel Sanatlar Akademisi\u2019nde e\u011fitim al\u0131rken Arthur Kampf gibi \u00f6nemli hocalarla \u00e7al\u0131\u015fma f\u0131rsat\u0131 bulur. Ancak Almanya y\u0131llar\u0131, ayn\u0131 zamanda ressam\u0131n alkolle tan\u0131\u015ft\u0131\u011f\u0131 ve ilk psikolojik krizlerini ya\u015fad\u0131\u011f\u0131 d\u00f6neme denk gelir.<\/p>\n\n\n\n

Babas\u0131ndan gelen maddi deste\u011fin kesilmesiyle \u0130stanbul\u2019a d\u00f6nmek zorunda kalan sanat\u00e7\u0131, bir s\u00fcre Ayval\u0131k\u2019ta resim \u00f6\u011fretmenli\u011fi yapar. Maa\u015f\u0131n\u0131 alamad\u0131\u011f\u0131 i\u00e7in \u00f6\u011fretmenli\u011fi b\u0131rak\u0131r, Beyo\u011flu\u2019nun bohem \u00e7evrelerine kar\u0131\u015f\u0131r ve \u0130stanbul y\u0131llar\u0131nda s\u0131k s\u0131k Bak\u0131rk\u00f6y Ak\u0131l Hastanesi\u2019nde tedavi g\u00f6rmek zorunda kal\u0131r. Bak\u0131rk\u00f6y\u2019de yatt\u0131\u011f\u0131 d\u00f6nemde \u00fcnl\u00fc neyzen Neyzen Tevfik ile ayn\u0131 oday\u0131 payla\u015fmas\u0131, \u00fcnl\u00fc tablolar ve hikayeleri aras\u0131nda s\u0131k\u00e7a anlat\u0131lan edebi bir an\u0131 olarak tarihe ge\u00e7mi\u015ftir.<\/p>\n\n\n\n

Paris’in Renkli Sokaklar\u0131ndan Hastane Odalar\u0131na<\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Sanat\u00e7\u0131n\u0131n hayat\u0131ndaki as\u0131l perde 1939 y\u0131l\u0131nda, yak\u0131n dostu Abidin Dino\u2019nun da deste\u011fiyle Paris\u2019e gitmesiyle a\u00e7\u0131l\u0131r. Fransa\u2019ya ad\u0131m att\u0131\u011f\u0131 g\u00fcnlerde \u0130kinci D\u00fcnya Sava\u015f\u0131\u2019n\u0131n patlak vermesi, Mualla\u2019n\u0131n ya\u015fam\u0131n\u0131 iyice zorla\u015ft\u0131r\u0131r. Yabanc\u0131 oldu\u011fu i\u00e7in bir s\u00fcre toplama kamp\u0131nda dahi tutulur. Paris\u2019in sol bankas\u0131ndaki (Rive Gauche) kafeler, barlar ve sokaklar onun hem evi hem de st\u00fcdyosu haline gelir.<\/p>\n\n\n\n

Mualla, maddi imkans\u0131zl\u0131klar nedeniyle \u015f\u00f6vale ba\u015f\u0131nda veya geni\u015f at\u00f6lyelerde \u00e7al\u0131\u015fma f\u0131rsat\u0131 bulamaz. Bunun yerine, bistrolar\u0131n k\u00f6\u015felerinde oturup etraf\u0131ndaki hayat\u0131 h\u0131zla ka\u011f\u0131tlara d\u00f6ker. Yapt\u0131\u011f\u0131 resimleri o g\u00fcnk\u00fc yemek ve i\u00e7ki masraf\u0131n\u0131 kar\u015f\u0131lamak i\u00e7in kafelerin sahiplerine yok pahas\u0131na verir. Hayat\u0131n\u0131n son y\u0131llar\u0131na do\u011fru, koleksiyoner Madame Angles\u2019in deste\u011fiyle Fransa\u2019n\u0131n g\u00fcneyindeki Reillanne kasabas\u0131na yerle\u015fir. 1967 y\u0131l\u0131nda yaln\u0131zl\u0131k i\u00e7inde hayata veda edene kadar burada durmaks\u0131z\u0131n resim yapmaya devam eder.<\/p>\n\n\n\n

Fikret Mualla Sanat Hayat\u0131<\/strong><\/h2>\n\n\n\n

Fikret Mualla\u2019n\u0131n sanat\u0131, ya\u015fad\u0131\u011f\u0131 co\u011frafyalar\u0131n de\u011fil, do\u011frudan do\u011fruya kendi g\u00f6zlemledi\u011fi sokak hayat\u0131n\u0131n bir aynas\u0131d\u0131r. Paris\u2019te ya\u015famas\u0131na ra\u011fmen Eiffel Kulesi, Louvre M\u00fczesi gibi an\u0131tsal mekanlar\u0131 resmetmek yerine; s\u0131radan insanlar\u0131n oturdu\u011fu kafeleri, sokak sat\u0131c\u0131lar\u0131n\u0131, caz kul\u00fcplerindeki m\u00fczisyenleri ve genelev \u00e7al\u0131\u015fanlar\u0131n\u0131 \u00e7izmeyi tercih etmi\u015ftir.<\/p>\n\n\n\n

Sanat\u00e7\u0131, Fikret Mualla tablolar\u0131 yarat\u0131rken pahal\u0131 ya\u011fl\u0131 boyalar ve geni\u015f tuvaller yerine, o an elinin alt\u0131nda ne varsa onu kullanm\u0131\u015ft\u0131r. \u00c7o\u011funlukla renkli fon ka\u011f\u0131tlar\u0131 \u00fczerine guaj boya tekni\u011fiyle \u00e7al\u0131\u015fm\u0131\u015ft\u0131r. Guaj boyan\u0131n \u00e7abuk kuruyan yap\u0131s\u0131, ressam\u0131n anl\u0131k g\u00f6zlemlerini h\u0131zla ka\u011f\u0131da aktarmas\u0131na olanak tan\u0131m\u0131\u015ft\u0131r. F\u0131r\u00e7a darbeleri son derece serbest, tempolu ve co\u015fkuludur. \u0130lgin\u00e7tir ki, hayat\u0131 boyunca a\u011f\u0131r depresyonlar, paras\u0131zl\u0131k ve yaln\u0131zl\u0131k \u00e7eken bu adam\u0131n resimlerinde asla kasvetli veya karanl\u0131k bir atmosfere rastlanmaz. Aksine, tablolar\u0131 ya\u015fama sevincini yans\u0131tan ne\u015feli bir renk paletiyle doludur.<\/p>\n\n\n\n

Fikret Mualla Hangi Sanat Ak\u0131m\u0131n\u0131n Temsilcisidir?<\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Ressam\u0131 tek bir sanat ak\u0131m\u0131n\u0131n i\u00e7ine hapsetmek olduk\u00e7a zordur. Eserleri incelendi\u011finde, d\u00f6nemin g\u00fc\u00e7l\u00fc ak\u0131mlar\u0131ndan izler ta\u015f\u0131d\u0131\u011f\u0131 a\u00e7\u0131k\u00e7a g\u00f6r\u00fcl\u00fcr. En belirgin \u00f6zelliklerinden biri, renkleri t\u00fcpten \u00e7\u0131kt\u0131\u011f\u0131 gibi saf ve cesurca kullanmas\u0131d\u0131r. Bu ba\u011flamda, Henri Matisse gibi isimlerin \u00f6nc\u00fcl\u00fck etti\u011fi fovizm ak\u0131m\u0131 \u00e7izgisine olduk\u00e7a yakla\u015f\u0131r. Fovistlerin rengi bir duyguyu ifade etme arac\u0131 olarak g\u00f6rmesi, Fikret Mualla\u2019n\u0131n sanat anlay\u0131\u015f\u0131yla birebir \u00f6rt\u00fc\u015f\u00fcr.<\/p>\n\n\n\n

Ayn\u0131 zamanda, i\u00e7sel \u00e7at\u0131\u015fmalar\u0131n\u0131 ve d\u00fcnyay\u0131 alg\u0131lay\u0131\u015f bi\u00e7imini formlar\u0131 bozarak d\u0131\u015fa vurmas\u0131 sebebiyle d\u0131\u015favurumculuk ak\u0131m\u0131 (ekspresyonizm) temsilcileri aras\u0131nda da de\u011ferlendirilir. Alman ekspresyonizm ustalar\u0131yla e\u011fitim ald\u0131\u011f\u0131 y\u0131llar\u0131n, ressam\u0131n bu tarz\u0131 benimsemesinde b\u00fcy\u00fck pay\u0131 vard\u0131r. Ancak o, ekspresyonizmin karamsar tavr\u0131n\u0131 bir kenara b\u0131rak\u0131p kendi “ne\u015feli d\u0131\u015favurumculu\u011funu” yaratm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Fikret Mualla ve Picasso’nun Kar\u015f\u0131la\u015fmas\u0131<\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Paris y\u0131llar\u0131nda d\u00f6nemin pek \u00e7ok \u00fcnl\u00fc sanat\u00e7\u0131s\u0131yla ayn\u0131 mekanlar\u0131 payla\u015fan Mualla\u2019n\u0131n yolu Pablo Picasso ile de kesi\u015fmi\u015ftir. Picasso, Mualla\u2019n\u0131n resimlerini g\u00f6rd\u00fc\u011f\u00fcnde onun renk kullan\u0131m\u0131na ve \u00fcslubuna hayran kalm\u0131\u015ft\u0131r. Bu takdirin bir ni\u015fanesi olarak Pablo Picasso, kendisine ait orijinal bir tabloyu hediye etmi\u015f ve \u00fczerine “Fikret Mualla’ya” notunu d\u00fc\u015fm\u00fc\u015ft\u00fcr. Ancak cebinde tek kuru\u015fu olmayan ve o g\u00fcnk\u00fc i\u00e7ki paras\u0131n\u0131 denkle\u015ftirmeye \u00e7al\u0131\u015fan Mualla, sanat tarihinin bu \u00e7ok de\u011ferli hediyesini ertesi g\u00fcn bir \u015fi\u015fe \u015farap kar\u015f\u0131l\u0131\u011f\u0131nda elden \u00e7\u0131karm\u0131\u015ft\u0131r. Bu olay, ressam\u0131n paraya, \u015f\u00f6hrete ve maddi de\u011fere olan kay\u0131ts\u0131zl\u0131\u011f\u0131n\u0131 g\u00f6steren en \u00e7arp\u0131c\u0131 an\u0131lardan biridir.<\/p>\n\n\n\n

Fikret Mualla’n\u0131n En \u00d6nemli Sanat Eserleri<\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Fikret Mualla arkas\u0131nda isimleri, tarihleri ve serileri kesin olarak tasnif edilemeyen binlerce eser b\u0131rakm\u0131\u015ft\u0131r. Resimlerini bir an \u00f6nce satabilmek i\u00e7in \u00e7o\u011funlukla imzas\u0131z veya tarihsiz teslim etmi\u015ftir. Ancak \u00f6ne \u00e7\u0131kan ve sanat\u00e7\u0131n\u0131n tarz\u0131n\u0131 en iyi yans\u0131tan temalar \u015funlard\u0131r:<\/p>\n\n\n\n

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  • Cazc\u0131lar ve M\u00fczisyenler Serisi: Paris\u2019in karanl\u0131k ve dumanl\u0131 caz kul\u00fcplerinde performans sergileyen siyahi m\u00fczisyenleri, saksofoncular\u0131 ve kontrbas\u00e7\u0131lar\u0131 resmetti\u011fi dinamik kompozisyonlard\u0131r.<\/li>\n\n\n\n
  • Sokak ve Pazar Yerleri: Balon satan adamlar, pazarda meyve se\u00e7en kad\u0131nlar ve k\u00f6pek gezdiren Paris burjuvalar\u0131, sanat\u00e7\u0131n\u0131n g\u00fcnl\u00fck hayat\u0131 dondurdu\u011fu karelerdir.<\/li>\n\n\n\n
  • Kafeler ve Bistrolar: Masalarda yaln\u0131z ba\u015f\u0131na oturan insanlar veya koyu bir sohbete dalm\u0131\u015f fig\u00fcrler, do\u011frudan sanat\u00e7\u0131n\u0131n kendi ya\u015fant\u0131s\u0131n\u0131n birer yans\u0131mas\u0131d\u0131r.<\/li>\n\n\n\n
  • Nat\u00fcrmortlar: \u00c7i\u00e7ek vazolar\u0131, \u015farap \u015fi\u015feleri ve meyve sepetlerini canl\u0131 guaj renkleriyle ka\u011f\u0131da d\u00f6kt\u00fc\u011f\u00fc, nesneleri adeta dans ettirdi\u011fi \u00e7al\u0131\u015fmalard\u0131r.<\/li>\n\n\n\n
  • Barda \u00dc\u00e7 Kad\u0131n: Renk z\u0131tl\u0131klar\u0131n\u0131n ve fig\u00fcratif bozulmalar\u0131n en net g\u00f6r\u00fcld\u00fc\u011f\u00fc, fovist etkilerin zirveye \u00e7\u0131kt\u0131\u011f\u0131 \u00fcnl\u00fc kompozisyonlar\u0131ndan biridir.<\/li>\n<\/ul>\n\n\n\n

    S\u0131k\u00e7a Sorulan Sorular<\/strong><\/h3>\n\n\n\n

    Fikret Mualla nerede vefat etti?<\/strong><\/h3>\n\n\n\n

    Fikret Mualla, 1967 y\u0131l\u0131nda Fransa\u2019n\u0131n g\u00fcneyinde bulunan Reillanne isimli k\u00fc\u00e7\u00fck bir kasabada hayat\u0131n\u0131 kaybetmi\u015ftir.<\/p>\n\n\n\n

    Fikret Mualla’n\u0131n mezar\u0131 nerede?<\/strong><\/h3>\n\n\n\n

    \u00d6l\u00fcm\u00fcn\u00fcn ard\u0131ndan Fransa’daki Kimsesizler Mezarl\u0131\u011f\u0131’na g\u00f6m\u00fclen sanat\u00e7\u0131n\u0131n kemikleri, 1974 y\u0131l\u0131nda d\u00f6nemin Cumhurba\u015fkan\u0131 Fahri Korut\u00fcrk’\u00fcn giri\u015fimiyle T\u00fcrkiye’ye getirilmi\u015f ve \u0130stanbul Karacaahmet Mezarl\u0131\u011f\u0131’na defnedilmi\u015ftir.<\/p>\n\n\n\n

    Fikret Mualla tablolar\u0131n\u0131 yaparken en \u00e7ok hangi boyay\u0131 kullanm\u0131\u015ft\u0131r?<\/strong><\/h3>\n\n\n\n

    Maddi zorluklar ve \u00e7al\u0131\u015fma \u015fartlar\u0131 nedeniyle \u00e7o\u011funlukla renkli fon ka\u011f\u0131tlar\u0131 \u00fczerine guaj boya kullanarak eserlerini \u00fcretmi\u015ftir.<\/p>\n\n\n\n

    Fikret Mualla eserleri nerede sergilenmektedir?<\/strong><\/h3>\n\n\n\n

    Eserleri T\u00fcrkiye’de \u0130stanbul Resim ve Heykel M\u00fczesi, Ankara Resim ve Heykel M\u00fczesi ile Sak\u0131p Sabanc\u0131 M\u00fczesi gibi kurumlarda; ayr\u0131ca Avrupa’da pek \u00e7ok \u00f6zel koleksiyonda ve galeride bulunmaktad\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

    D\u00fcnyaca \u00fcnl\u00fc bir ressam\u0131n, ba\u015fyap\u0131tlar\u0131n\u0131 bir kadeh \u015farap veya s\u0131cak bir \u00e7orba kar\u015f\u0131l\u0131\u011f\u0131nda Paris bistrolar\u0131n\u0131n masalar\u0131na b\u0131rakt\u0131\u011f\u0131n\u0131 duymak bug\u00fcn kula\u011fa bir efsane gibi gelebilir. Ancak Fikret Mualla s\u00f6z konusu oldu\u011funda, s\u0131n\u0131rlar\u0131 zorlayan bu bohem ya\u015fam tarz\u0131 tam anlam\u0131yla ger\u00e7e\u011fin kendisidir. Ak\u0131l hastaneleri, polis nezarethaneleri ve derme \u00e7atma otel odalar\u0131 aras\u0131nda ge\u00e7en \u00f6mr\u00fcne ra\u011fmen, ortaya \u00e7\u0131kard\u0131\u011f\u0131 […]<\/p>\n","protected":false},"author":2,"featured_media":3364,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_gspb_post_css":"","footnotes":""},"categories":[34],"tags":[],"class_list":["post-3363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sanatcilar"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/3363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/comments?post=3363"}],"version-history":[{"count":1,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/3363\/revisions"}],"predecessor-version":[{"id":3371,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/3363\/revisions\/3371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media\/3364"}],"wp:attachment":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media?parent=3363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/categories?post=3363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/tags?post=3363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}