{"id":3359,"date":"2026-05-21T11:36:40","date_gmt":"2026-05-21T08:36:40","guid":{"rendered":"https:\/\/ivasanat.com\/blog\/?p=3359"},"modified":"2026-05-21T11:36:42","modified_gmt":"2026-05-21T08:36:42","slug":"muzayede-nedir","status":"publish","type":"post","link":"https:\/\/ivasanat.com\/blog\/muzayede-nedir\/","title":{"rendered":"M\u00fczayede Nedir? Sanat Eserleri Nas\u0131l A\u00e7\u0131k Art\u0131rmaya \u00c7\u0131kar?"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">2018 y\u0131l\u0131n\u0131n Ekim ay\u0131nda Londra&#8217;da bulunan Sotheby&#8217;s salonunda toplanan kalabal\u0131k, <a href=\"https:\/\/ivasanat.com\/blog\/banksy-kimdir-hayati-sanati-ve-eserleriyle-sokak\/\">Banksy<\/a>&#8216;nin &#8220;K\u0131rm\u0131z\u0131 Balonlu K\u0131z&#8221; tablosunun 1.4 milyon dolara sat\u0131lmas\u0131na alk\u0131\u015flarla tepki veriyordu. Ancak tam o an, tablonun \u00e7er\u00e7evesine gizlenmi\u015f bir mekanizma \u00e7al\u0131\u015ft\u0131 ve tuval a\u015fa\u011f\u0131 do\u011fru kayarak kendini par\u00e7alamaya ba\u015flad\u0131. T\u00fcm salon \u015fok i\u00e7indeydi. \u00c7er\u00e7eveden sarkan \u015ferit halindeki tuval par\u00e7alar\u0131, o g\u00fcne kadar g\u00f6r\u00fclmemi\u015f bir eylemin kan\u0131t\u0131yd\u0131. Bu olay, sanat piyasas\u0131n\u0131n sadece eski tablolar\u0131n el de\u011fi\u015ftirdi\u011fi sessiz ve tozlu bir ortam olmad\u0131\u011f\u0131n\u0131; aksine entrika, heyecan ve \u015fov dolu canl\u0131 bir sahne oldu\u011funu t\u00fcm d\u00fcnyaya g\u00f6sterdi. Peki ama kapal\u0131 kap\u0131lar ard\u0131nda haz\u0131rl\u0131klar\u0131 aylar s\u00fcren m\u00fczayede nedir ve m\u00fczelerde hayranl\u0131kla bakt\u0131\u011f\u0131m\u0131z tablolar, heykeller o parlak salonlara gelene kadar hangi a\u015famalardan ge\u00e7er? \u00c7eki\u00e7 seslerinin ard\u0131ndaki sistemi, ekspertiz s\u00fcre\u00e7lerini ve sanat piyasas\u0131n\u0131n yaz\u0131l\u0131 olmayan kat\u0131 kurallar\u0131n\u0131 inceleyece\u011fiz.<\/p>\n\n\n\n<h2 id=\"muzayede-nedir-ve-sanat-dunyasindaki-islevi\" class=\"wp-block-heading\"><strong>M\u00fczayede Nedir ve Sanat D\u00fcnyas\u0131ndaki \u0130\u015flevi<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00f6keni Arap\u00e7a art\u0131rma anlam\u0131na gelen &#8220;ziyade&#8221; kelimesine dayanan m\u00fczayede, bir mal\u0131n en y\u00fcksek fiyat\u0131 veren al\u0131c\u0131ya sat\u0131ld\u0131\u011f\u0131 a\u00e7\u0131k art\u0131rma y\u00f6ntemidir. Sanat d\u00fcnyas\u0131nda m\u00fczayedeler, eserlerin piyasa de\u011ferinin sat\u0131c\u0131 taraf\u0131ndan de\u011fil, do\u011frudan arz ve talep dengesiyle belirlendi\u011fi b\u00fcy\u00fck arenalard\u0131r. R\u00f6nesans d\u00f6neminden itibaren \u015fekillenmeye ba\u015flayan sanat ticareti, g\u00fcn\u00fcm\u00fczde Christie&#8217;s, Sotheby&#8217;s ve Phillips gibi dev kurumlar\u0131n y\u00f6netti\u011fi milyarlarca dolarl\u0131k bir yap\u0131ya d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bir sanat galerisine girdi\u011finizde, duvarda as\u0131l\u0131 duran tablonun fiyat\u0131 \u00f6nceden belirlenmi\u015ftir. Fiyat etiketini kabul eder veya etmezsiniz. Bir a\u00e7\u0131k art\u0131rmada ise fiyat\u0131 koleksiyonerlerin tutkusu ve aralar\u0131ndaki rekabet belirler. D\u00fcnyan\u0131n farkl\u0131 k\u00f6\u015felerinden gelen al\u0131c\u0131lar, ayn\u0131 salonda veya telefon hatlar\u0131n\u0131n ucunda teklif vererek bir eserin de\u011ferini dakikalar i\u00e7inde milyonlarca dolar yukar\u0131 \u00e7ekebilir. Sanat eserleri nas\u0131l a\u00e7\u0131k art\u0131rmaya \u00e7\u0131kar sorusunun cevab\u0131, sanat\u00e7\u0131n\u0131n kimli\u011fine, eserin yarat\u0131ld\u0131\u011f\u0131 d\u00f6neme ve piyasadaki bulunabilirlik durumuna g\u00f6re de\u011fi\u015fir. S\u00fcrrealizm sanat ak\u0131m\u0131 \u00f6zellikleri ta\u015f\u0131yan r\u00fcya gibi bir Dali tablosundan, saf alt\u0131n varaklarla s\u00fcslenmi\u015f bir Orta \u00c7a\u011f ikonas\u0131na kadar \u00e7ok geni\u015f bir yelpazedeki eserler bu salonlarda al\u0131c\u0131 bekler.<\/p>\n\n\n\n<h2 id=\"bir-tablo-muzayedeye-nasil-hazirlanir\" class=\"wp-block-heading\"><strong>Bir Tablo M\u00fczayedeye Nas\u0131l Haz\u0131rlan\u0131r?<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"426\" src=\"https:\/\/ivasanat.com\/blog\/wp-content\/uploads\/2026\/05\/muzayede.jpg\" alt=\"\" class=\"wp-image-3361\" title=\"\" srcset=\"https:\/\/ivasanat.com\/blog\/wp-content\/uploads\/2026\/05\/muzayede.jpg 640w, https:\/\/ivasanat.com\/blog\/wp-content\/uploads\/2026\/05\/muzayede-300x200.jpg 300w, https:\/\/ivasanat.com\/blog\/wp-content\/uploads\/2026\/05\/muzayede-18x12.jpg 18w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Bir koleksiyonerin, galerinin veya miras\u00e7\u0131n\u0131n elindeki eseri satmaya karar vermesiyle uzun bir maraton ba\u015flar. M\u00fczayede evleri, kendilerine getirilen her sanat eserini do\u011frudan sat\u0131\u015f listesine eklemez. Prestijlerini korumak i\u00e7in son derece s\u0131k\u0131 bir filtreleme ve ara\u015ft\u0131rma s\u00fcreci uygularlar. Bir tablonun sahneye \u00e7\u0131kmadan \u00f6nce ge\u00e7ti\u011fi a\u015famalar \u015funlard\u0131r:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>De\u011ferleme ve Ekspertiz: Sanat tarih\u00e7ileri ve uzmanlar eseri fiziksel olarak masaya yat\u0131r\u0131r. X-\u0131\u015f\u0131nlar\u0131, k\u0131z\u0131l\u00f6tesi taray\u0131c\u0131lar ve y\u00fcksek \u00e7\u00f6z\u00fcn\u00fcrl\u00fckl\u00fc mikroskoplar kullan\u0131larak boyan\u0131n kimyasal yap\u0131s\u0131 analiz edilir. \u00d6rne\u011fin, klasik bir tabloda sfumato ad\u0131 verilen yumu\u015fak renk ge\u00e7i\u015fleri veya bir Van Gogh tablosunda impasto ad\u0131 verilen kal\u0131n boya katmanlar\u0131 detayl\u0131ca incelenir. Eserin restorasyon g\u00f6r\u00fcp g\u00f6rmedi\u011fi, tuvalin y\u0131pranma pay\u0131 belgelerle raporlan\u0131r.<\/li>\n\n\n\n<li>Provenans Ara\u015ft\u0131rmas\u0131: Sanat d\u00fcnyas\u0131nda provenans, bir eserin \u015feceresidir. Tablonun sanat\u00e7\u0131n\u0131n at\u00f6lyesinden \u00e7\u0131kt\u0131\u011f\u0131 ilk g\u00fcnden bug\u00fcne kadar hangi koleksiyonlara girdi\u011fi, hangi m\u00fczelerde sergilendi\u011fi faturalar ve mektuplarla belgelenir. Sa\u011flam bir ge\u00e7mi\u015f kayd\u0131, eserin sahte olma ihtimalini ortadan kald\u0131ran en g\u00fc\u00e7l\u00fc kan\u0131tt\u0131r.<\/li>\n\n\n\n<li>Kataloglama S\u00fcreci: Eserin durumu, boyutlar\u0131, sanat\u00e7\u0131n\u0131n biyografisi ve tahmini sat\u0131\u015f aral\u0131\u011f\u0131 kal\u0131n sayfalara sahip resmi bir m\u00fczayede katalo\u011funa bas\u0131l\u0131r. Bu kataloglar, sat\u0131\u015ftan haftalar \u00f6nce d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki b\u00fcy\u00fck koleksiyonerlere postalan\u0131r.<\/li>\n\n\n\n<li>Halka A\u00e7\u0131k Sergileme: Sat\u0131\u015f tarihinden birka\u00e7 g\u00fcn \u00f6nce eserler, m\u00fczayede evinin \u00f6zel salonlar\u0131nda sergilenmeye ba\u015flar. Potansiyel al\u0131c\u0131lar, tablolar\u0131 \u00e7\u0131plak g\u00f6zle inceleyip f\u0131r\u00e7a darbelerini yak\u0131ndan g\u00f6rme f\u0131rsat\u0131 bulur.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">S\u0131f\u0131rdan bir sanat ar\u015fivi kurmak isteyenler i\u00e7in t\u00fcm bu onay s\u00fcre\u00e7lerini takip etmek yorucu g\u00f6r\u00fcnebilir; sanat koleksiyonculu\u011fu hakk\u0131nda sa\u011flam ad\u0131mlar atmak ve do\u011fru stratejiyi kurgulamak bu sebeple profesyonel bir bak\u0131\u015f a\u00e7\u0131s\u0131 gerektirir.<\/p>\n\n\n\n<h2 id=\"cekic-fiyati-komisyonlar-ve-salondaki-psikolojik-savas\" class=\"wp-block-heading\"><strong>\u00c7eki\u00e7 Fiyat\u0131, Komisyonlar ve Salondaki Psikolojik Sava\u015f<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A\u00e7\u0131k art\u0131rma salonundaki o elektrikli atmosferin tamamen kendine has bir jargonu vard\u0131r. M\u00fczayedeyi k\u00fcrs\u00fcden y\u00f6neten ki\u015fiye &#8220;m\u00fcnadi&#8221; denir. M\u00fcnadi, salondaki insanlar\u0131n v\u00fccut dilini okur, teklif verme h\u0131z\u0131n\u0131 art\u0131rmak i\u00e7in bak\u0131\u015flar\u0131n\u0131 kullan\u0131r ve do\u011fru saniyeyi yakalad\u0131\u011f\u0131nda elindeki ah\u015fap \u00e7ekici vurarak sat\u0131\u015f\u0131 m\u00fch\u00fcrler. Bu gerilimli anlarda s\u0131k\u00e7a duyulan baz\u0131 temel kavramlar i\u015fleyi\u015fi belirler.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Salon d\u00fczeninde her eser katalogda belirtilen &#8220;lot&#8221; numaras\u0131 ile s\u0131rayla \u00e7a\u011fr\u0131l\u0131r. Eser sahneye geldi\u011finde teklifler a\u00e7\u0131l\u0131r. Sat\u0131c\u0131n\u0131n tabloyu elden \u00e7\u0131karmaya raz\u0131 oldu\u011fu gizli taban fiyata rezerv fiyat\u0131 denir. Salondaki eller kalkmaz ve teklifler bu gizli fiyata ula\u015fmazsa, tablo sat\u0131lmaz ve m\u00fcnadi eserin piyasadan \u00e7ekildi\u011fini anons eder. Her \u015fey yolunda giderse ve teklifler y\u00fckselirse, m\u00fcnadinin \u00e7ekici vurdu\u011fu an olu\u015fan rakama \u00e7eki\u00e7 fiyat\u0131 denir. Al\u0131c\u0131n\u0131n kasas\u0131ndan \u00e7\u0131kacak miktar sadece bu rakamla s\u0131n\u0131rl\u0131 kalmaz. M\u00fczayede evleri, verdikleri hizmetin kar\u015f\u0131l\u0131\u011f\u0131 olarak \u00e7eki\u00e7 fiyat\u0131n\u0131n \u00fczerine al\u0131c\u0131 primi ad\u0131 verilen bir komisyon bedeli ekler.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Teklif verme s\u00fcreci mant\u0131\u011f\u0131n geride kal\u0131p duygular\u0131n ve rekabetin \u00f6ne \u00e7\u0131kt\u0131\u011f\u0131 psikolojik bir sava\u015ft\u0131r. \u00d6zellikle \u00fcnl\u00fc tablolar ve hikayeleri s\u00f6z konusu oldu\u011funda, eserin ta\u015f\u0131d\u0131\u011f\u0131 tarihi miras salondaki havay\u0131 de\u011fi\u015ftirir. Telefon ba\u015f\u0131ndaki temsilciler farkl\u0131 dillerde f\u0131s\u0131lda\u015f\u0131rken, salondaki bir al\u0131c\u0131n\u0131n sadece k\u00fc\u00e7\u00fck bir ba\u015f hareketiyle milyonlarca dolar art\u0131\u015f yapmas\u0131 m\u00fcmk\u00fcnd\u00fcr.<\/p>\n\n\n\n<h2 id=\"aksam-satislari-ve-tarihe-gecen-buyuk-rekorlar\" class=\"wp-block-heading\"><strong>Ak\u015fam Sat\u0131\u015flar\u0131 ve Tarihe Ge\u00e7en B\u00fcy\u00fck Rekorlar<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00fczayede evleri sat\u0131\u015flar\u0131n\u0131 belirli kategorilere ay\u0131r\u0131r. G\u00fcnd\u00fcz sat\u0131\u015flar\u0131nda geni\u015f bir kitleye hitap eden uygun fiyatl\u0131 bask\u0131lar, ka\u011f\u0131t \u00fczeri karakalem i\u015fler ve seramikler yer al\u0131r. As\u0131l \u015fov &#8220;Evening Sale&#8221; olarak bilinen ak\u015fam sat\u0131\u015flar\u0131nda ya\u015fan\u0131r. Sadece \u00f6zel davetiyeyle girilen bu g\u00f6steri\u015fli etkinliklerde, sanat tarihinin en nadide par\u00e7alar\u0131 koleksiyonerlerin kar\u015f\u0131s\u0131na \u00e7\u0131kar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sanat tarihi, ak\u015fam sat\u0131\u015flar\u0131nda k\u0131r\u0131lan inan\u0131lmaz rekorlarla doludur. R\u00f6nesans d\u00f6nemi ressamlar\u0131 her zaman b\u00fcy\u00fck ilgi toplar, fakat baz\u0131 sat\u0131\u015flar beklentilerin s\u0131n\u0131rlar\u0131n\u0131 tamamen y\u0131kar. 2017 y\u0131l\u0131n\u0131n sonbahar\u0131nda New York&#8217;ta ya\u015fanan <a href=\"https:\/\/ivasanat.com\/blog\/leonardo-da-vinci-hayati-ve-eserleri\/\">Leonardo da Vinci<\/a>&#8216;nin &#8220;Salvator Mundi&#8221; tablosunun sat\u0131\u015f\u0131, tam olarak b\u00f6yle bir and\u0131r. Tablo, salondakilerin nefeslerini tuttu\u011fu 19 dakikal\u0131k kesintisiz bir teklif sava\u015f\u0131n\u0131n ard\u0131ndan 450.3 milyon dolara al\u0131c\u0131 bularak kendi alan\u0131nda ula\u015f\u0131lmas\u0131 g\u00fc\u00e7 bir rekora imza atm\u0131\u015ft\u0131r. Dudak u\u00e7uklatan b\u00fct\u00e7elerle el de\u011fi\u015ftiren di\u011fer tarihi par\u00e7alar\u0131 ke\u015ffetmek i\u00e7in d\u00fcnyan\u0131n en pahal\u0131 sanat eserleri listesine g\u00f6z gezdirebilirsiniz.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eskiden sadece smokinli veya d\u00f6piyesli koleksiyonerlerin salonda bulunarak kat\u0131ld\u0131\u011f\u0131 a\u00e7\u0131k art\u0131rmalar, g\u00fcn\u00fcm\u00fczde dijital d\u00fcnyan\u0131n imkanlar\u0131yla tamamen \u015fekil de\u011fi\u015ftiriyor. \u0130nternet \u00fczerinden canl\u0131 yay\u0131nlanan m\u00fczayedeler, Tokyo&#8217;daki bir al\u0131c\u0131n\u0131n saniyeler i\u00e7inde New York&#8217;taki bir a\u00e7\u0131k art\u0131rmaya teklif vermesine olanak tan\u0131yor. Fiziksel tablolar\u0131n, devasa mermer heykellerin yan\u0131 s\u0131ra, piksellerden olu\u015fan ve blokzincir altyap\u0131s\u0131yla \u015fifrelenen dijital eserler de m\u00fczayedelerde kendine geni\u015f bir yer buluyor. Fiziksel tuvalin d\u0131\u015f\u0131na \u00e7\u0131kan bu dijital sahiplik d\u00fczeni hakk\u0131nda daha fazla bilgi edinmek isterseniz NFT sanat\u0131 dosyam\u0131z\u0131 okuyabilirsiniz.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00fczelerin duvarlar\u0131nda inceledi\u011fimiz o b\u00fcy\u00fcleyici van gogh eserleri, empresyonist manzaralar veya barok d\u00f6nemin dramatik portreleri, ge\u00e7mi\u015f y\u00fczy\u0131llarda pek \u00e7ok kez bu ah\u015fap \u00e7ekicin yank\u0131lanan sesiyle el de\u011fi\u015ftirmi\u015ftir. Bu sat\u0131\u015flar sadece zenginlerin al\u0131\u015fveri\u015f yapt\u0131\u011f\u0131 anlar de\u011fil, sanat eserlerinin de\u011ferinin yeniden tescillendi\u011fi tarihi anlard\u0131r. Sanat tarihinin ak\u0131\u015f\u0131n\u0131 de\u011fi\u015ftiren, milyonlar\u0131n haf\u0131zas\u0131na kaz\u0131nan ikonik ba\u015fyap\u0131tlar\u0131n d\u00fcnyas\u0131na daha derinlemesine bakmak isterseniz d\u00fcnyan\u0131n en \u00fcnl\u00fc sanat eserleri i\u00e7eri\u011fimizle okumaya devam edebilirsiniz.<\/p>\n\n\n\n<h3 id=\"sikca-sorulan-sorular\" class=\"wp-block-heading\"><strong>S\u0131k\u00e7a Sorulan Sorular<\/strong><\/h3>\n\n\n\n<h3 id=\"muzayede-ne-demek\" class=\"wp-block-heading\"><strong>M\u00fczayede ne demek?<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00fczayede, bir sanat eserinin al\u0131c\u0131lar aras\u0131nda a\u00e7\u0131k art\u0131rma usul\u00fcyle en y\u00fcksek teklifi verene sat\u0131ld\u0131\u011f\u0131 geleneksel bir ticari y\u00f6ntemdir. Sanat ba\u011flam\u0131nda m\u00fczayedeler, tablonun veya heykelin ger\u00e7ek piyasa de\u011ferinin arz talep rekabetiyle \u015feffaf \u015fekilde ortaya \u00e7\u0131kt\u0131\u011f\u0131 sat\u0131\u015f etkinlikleridir.<\/p>\n\n\n\n<h3 id=\"bir-tablonun-acik-artirma-baslangic-fiyati-nasil-belirlenir\" class=\"wp-block-heading\"><strong>Bir tablonun a\u00e7\u0131k art\u0131rma ba\u015flang\u0131\u00e7 fiyat\u0131 nas\u0131l belirlenir?<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00fczayede evinin b\u00fcnyesindeki sanat tarih\u00e7ileri ve ekspertiz uzmanlar\u0131, tablonun ge\u00e7mi\u015f sat\u0131\u015f verilerini, ressam\u0131n g\u00fcncel piyasa pop\u00fclerli\u011fini ve eserin fiziksel durumunu hesaba katarak tahmini bir fiyat aral\u0131\u011f\u0131 belirler. Tablonun m\u00fczayedeye \u00e7\u0131kaca\u011f\u0131 ba\u015flang\u0131\u00e7 seviyesi de bu de\u011ferleme do\u011frultusunda saptan\u0131r.<\/p>\n\n\n\n<h3 id=\"muzayedede-satilmayan-sanat-eserlerine-ne-olur\" class=\"wp-block-heading\"><strong>M\u00fczayedede sat\u0131lmayan sanat eserlerine ne olur?<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">A\u00e7\u0131k art\u0131rma s\u0131ras\u0131nda teklifler sat\u0131c\u0131n\u0131n belirledi\u011fi rezerv fiyat\u0131na ula\u015fmazsa, m\u00fcnadi eserin sat\u0131lmad\u0131\u011f\u0131n\u0131 salona ilan eder. Sat\u0131lamayan tablolar veya heykeller sahibine iade edilir ya da sat\u0131c\u0131n\u0131n talebine g\u00f6re kapal\u0131 kap\u0131lar ard\u0131nda yap\u0131lan \u00f6zel sat\u0131\u015f (private sale) y\u00f6ntemiyle yeni bir al\u0131c\u0131ya sunulur.<\/p>\n\n\n\n<h3 id=\"sanat-muzayedelerine-kimler-katilabilir\" class=\"wp-block-heading\"><strong>Sanat m\u00fczayedelerine kimler kat\u0131labilir?<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00fczayedelere kat\u0131lmak i\u00e7in eserin t\u00fcr\u00fcne ve de\u011ferine g\u00f6re de\u011fi\u015fen \u015fartlar bulunur; genel a\u00e7\u0131k art\u0131rmalara dileyen herkes kay\u0131t yapt\u0131rarak kat\u0131labilir. Milyon dolarl\u0131k eserlerin sat\u0131ld\u0131\u011f\u0131 ak\u015fam m\u00fczayedeleri gibi \u00f6zel oturumlara kat\u0131lmak ve teklif raketi kald\u0131rmak i\u00e7in m\u00fczayede evine \u00f6nceden mali teminat g\u00f6stermek zorunludur.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2018 y\u0131l\u0131n\u0131n Ekim ay\u0131nda Londra&#8217;da bulunan Sotheby&#8217;s salonunda toplanan kalabal\u0131k, Banksy&#8216;nin &#8220;K\u0131rm\u0131z\u0131 Balonlu K\u0131z&#8221; tablosunun 1.4 milyon dolara sat\u0131lmas\u0131na alk\u0131\u015flarla tepki veriyordu. Ancak tam o an, tablonun \u00e7er\u00e7evesine gizlenmi\u015f bir mekanizma \u00e7al\u0131\u015ft\u0131 ve tuval a\u015fa\u011f\u0131 do\u011fru kayarak kendini par\u00e7alamaya ba\u015flad\u0131. T\u00fcm salon \u015fok i\u00e7indeydi. \u00c7er\u00e7eveden sarkan \u015ferit halindeki tuval par\u00e7alar\u0131, o g\u00fcne kadar g\u00f6r\u00fclmemi\u015f bir [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":3360,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_gspb_post_css":"","footnotes":""},"categories":[37],"tags":[],"class_list":["post-3359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nedir-bu"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/3359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/comments?post=3359"}],"version-history":[{"count":1,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/3359\/revisions"}],"predecessor-version":[{"id":3362,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/3359\/revisions\/3362"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media\/3360"}],"wp:attachment":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media?parent=3359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/categories?post=3359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/tags?post=3359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}