{"id":1939,"date":"2025-01-20T15:20:00","date_gmt":"2025-01-20T12:20:00","guid":{"rendered":"https:\/\/ivasanat.com\/blog\/?p=1939"},"modified":"2025-02-03T15:27:24","modified_gmt":"2025-02-03T12:27:24","slug":"bellegin-azmi-tablosu-hikayesi","status":"publish","type":"post","link":"https:\/\/ivasanat.com\/blog\/bellegin-azmi-tablosu-hikayesi\/","title":{"rendered":"Belle\u011fin Azmi Tablosu Hikayesi"},"content":{"rendered":"\n<div class=\"wp-block-rank-math-toc-block\" id=\"rank-math-toc\"><nav><ul><li class=\"\"><a href=\"#bellegin-azmi-nin-hikayesi-nedir\">\u201cBelle\u011fin Azmi\u201cnin Hikayesi Nedir?<\/a><\/li><li class=\"\"><a href=\"#bellegin-azmi-tablosu-kime-ait\">\u201cBelle\u011fin Azmi\u201d Tablosu Kime Ait?<\/a><\/li><li class=\"\"><a href=\"#eriyen-saatler-tablosu-ne-zaman-yapildi\">Eriyen Saatler Tablosu Ne Zaman Yap\u0131ld\u0131?<\/a><\/li><li class=\"\"><a href=\"#bellegin-azmi-tablosunun-diger-adi-nedir\">\u201cBelle\u011fin Azmi\u201d Tablosunun Di\u011fer Ad\u0131 Nedir?<\/a><\/li><li class=\"\"><a href=\"#eriyen-saatler-tablosu-neyi-temsil-ediyor\">\u201cEriyen Saatler\u201d Tablosu Neyi Temsil Ediyor?<\/a><\/li><li class=\"\"><a href=\"#eriyen-saatler-hangi-sanat-akimina-ait\">\u201cEriyen Saatler\u201d Hangi Sanat Ak\u0131m\u0131na Ait?<\/a><\/li><li class=\"\"><a href=\"#bellegin-azmi-nin-simgeleri-ve-anlamlari\">\u201cBelle\u011fin Azmi\u201cnin Simgeleri ve Anlamlar\u0131<\/a><\/li><li class=\"\"><a href=\"#sanat-tarihinde-bellegin-azmi-nin-yeri-ve-onemi\">Sanat Tarihinde \u201cBelle\u011fin Azmi\u201cnin Yeri ve \u00d6nemi<\/a><\/li><li class=\"\"><a href=\"#bellegin-azmi-ne-benzer-diger-dali-eserleri\">\u201cBelle\u011fin Azmi\u201cne Benzer Di\u011fer Dali Eserleri<\/a><\/li><\/ul><\/nav><\/div>\n\n\n\n<p><strong>Belle\u011fin Azmi<\/strong> tablosu, Salvador Dali&#8217;nin en \u00fcnl\u00fc ve ikonik eserlerinden biridir. 1931 y\u0131l\u0131nda tamamlanan bu tablo, s\u00fcrrealist sanat\u0131n ba\u015fyap\u0131tlar\u0131ndan biri olarak kabul edilmektedir. Tabloda, en dikkat \u00e7ekici unsurlar yumu\u015fak bir yap\u0131da ve sanki eriyormu\u015f gibi resmedilen saatlerdir. Dali&#8217;nin \u00f6zg\u00fcn ve yenilik\u00e7i yakla\u015f\u0131m\u0131yla yaratt\u0131\u011f\u0131 bu tablo, zaman\u0131n ve ger\u00e7ekli\u011fin g\u00f6receli\u011fini sorgulayan derin bir anlam ta\u015f\u0131maktad\u0131r. Eserin ba\u015fl\u0131ca unsurlar\u0131ndan olan eriyip b\u00fck\u00fclen saatler, izleyicinin dikkatini \u00e7ekmekte ve onu d\u00fc\u015f\u00fcnmeye sevk etmektedir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"bellegin-azmi-nin-hikayesi-nedir\">\u201cBelle\u011fin Azmi\u201cnin Hikayesi Nedir?<\/h2>\n\n\n\n<p>Belle\u011fin Azmi&#8217;nin hikayesi, Dali&#8217;nin bir ak\u015fam yeme\u011fi sonras\u0131 peynirin erime \u015feklinden ilham almas\u0131yla ba\u015flamaktad\u0131r. Bunun sonucunda, eriyen saatler fikri geli\u015ftirilerek zaman\u0131n ak\u0131\u015fkan ve esnek oldu\u011fu ressam taraf\u0131ndan simgelenmek istenmi\u015ftir. Tablodaki arka plan, Dali&#8217;nin do\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fc Katalonya b\u00f6lgesindeki manzaralar\u0131 yans\u0131tmakta ve eriyen saatler ve u\u00e7suz bucaks\u0131z peyzaj, ger\u00e7ekli\u011fin ve zaman\u0131n s\u0131n\u0131rlar\u0131n\u0131 zorlayan bir kompozisyon olu\u015fturmaktad\u0131r. Tablodaki kar\u0131ncalar ve y\u00fcz\u00fc belirsiz fig\u00fcrler ise \u00f6l\u00fcm ve \u00e7\u00fcr\u00fcme temalar\u0131n\u0131 da i\u015fleyerek eserin derinli\u011fini art\u0131rmaktad\u0131r. Genel bir ifadeyle bu hikaye, Dali&#8217;nin s\u0131rad\u0131\u015f\u0131 d\u00fc\u015f\u00fcnce yap\u0131s\u0131n\u0131 ve sanatsal yetene\u011fini g\u00f6zler \u00f6n\u00fcne sermektedir.<\/p>\n\n\n\n<p>\u0130lginizi \u00e7ekebilir: <a href=\"https:\/\/ivasanat.com\/blog\/unlu-tablolar-hakkinda-bilinmeyen-12-gercek\/\">\u00dcnl\u00fc Tablolar Hakk\u0131nda Bilinmeyen 12 \u015ea\u015f\u0131rt\u0131c\u0131 Ger\u00e7ek<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"bellegin-azmi-tablosu-kime-ait\">\u201cBelle\u011fin Azmi\u201d Tablosu Kime Ait?<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"797\" height=\"1024\" src=\"https:\/\/ivasanat.com\/blog\/wp-content\/uploads\/2025\/02\/salvador-dali.jpg\" alt=\"\" class=\"wp-image-1941\" srcset=\"https:\/\/ivasanat.com\/blog\/wp-content\/uploads\/2025\/02\/salvador-dali.jpg 797w, https:\/\/ivasanat.com\/blog\/wp-content\/uploads\/2025\/02\/salvador-dali-233x300.jpg 233w, https:\/\/ivasanat.com\/blog\/wp-content\/uploads\/2025\/02\/salvador-dali-768x987.jpg 768w\" sizes=\"auto, (max-width: 797px) 100vw, 797px\" \/><\/figure>\n\n\n\n<p><strong>Belle\u011fin Azmi tablosu<\/strong>, \u00fcnl\u00fc \u0130spanyol ressam Salvador Dali&#8217;ye aittir. Dali, 20. y\u00fczy\u0131l\u0131n en \u00f6nemli sanat\u00e7\u0131lar\u0131ndan biri olarak kabul edilmekte ve s\u00fcrrealist ak\u0131m\u0131n \u00f6nde gelen temsilcilerinden biri olarak kabul g\u00f6rmektedir. <strong>Salvador Dali eserleri<\/strong> ise genellikle tuhaf ve \u00e7arp\u0131c\u0131 imgeler i\u00e7ermekte ve izleyiciyi farkl\u0131 bir d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131na davet etmektedir. Dolay\u0131s\u0131yla <strong>eriyen saatler kimin<\/strong> sorusuna cevap olarak Dali&#8217;yi s\u00f6ylemek olduk\u00e7a do\u011frudur. Sanat\u00e7\u0131n\u0131n tablolar\u0131nda s\u0131k\u00e7a kulland\u0131\u011f\u0131 eriyen saatler, zaman\u0131n ak\u0131\u015fkanl\u0131\u011f\u0131 ve insan bilincinin karma\u015f\u0131kl\u0131\u011f\u0131n\u0131 simgelemektedir. Salvador Dali&#8217;nin bu eseri, sanat tarihinde \u00f6nemli bir yere sahiptir ve sanat\u00e7\u0131n\u0131n dehas\u0131n\u0131 ve sanatsal bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 yans\u0131tmaktad\u0131r. Dolay\u0131s\u0131yla, <strong>eriyen saatler<\/strong> temas\u0131, Dali&#8217;nin sanat\u0131n\u0131n en belirgin ve tan\u0131nm\u0131\u015f unsurlar\u0131ndan biridir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"eriyen-saatler-tablosu-ne-zaman-yapildi\">Eriyen Saatler Tablosu Ne Zaman Yap\u0131ld\u0131?<\/h2>\n\n\n\n<p><strong>Eriyen saatler tablosu<\/strong>, 1931 y\u0131l\u0131nda Salvador Dali taraf\u0131ndan tamamlanm\u0131\u015f ve ayn\u0131 y\u0131l sergilenmi\u015ftir. Bu tablo, s\u00fcrrealist sanat\u0131n en \u00e7arp\u0131c\u0131 \u00f6rneklerinden biri olarak kabul edilir ve Dali\u2019nin zaman kavram\u0131na bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 yans\u0131tmaktad\u0131r. Ayr\u0131ca 1930\u2019lu y\u0131llarda Avrupa\u2019da s\u00fcrrealizm ak\u0131m\u0131 etkisini art\u0131r\u0131rken, Dali de bu ak\u0131m\u0131n en tan\u0131nm\u0131\u015f temsilcilerinden biri haline gelmi\u015ftir. \u00d6zellikle Sigmund Freud\u2019un psikanaliz teorilerinden esinlenerek olu\u015fturdu\u011fu bu eser, bilin\u00e7alt\u0131 ve r\u00fcyalar\u0131n sanata yans\u0131mas\u0131 a\u00e7\u0131s\u0131ndan b\u00fcy\u00fck bir \u00f6neme sahiptir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"bellegin-azmi-tablosunun-diger-adi-nedir\">\u201cBelle\u011fin Azmi\u201d Tablosunun Di\u011fer Ad\u0131 Nedir?<\/h2>\n\n\n\n<p>Sanat tarihinde e\u015fsiz bir yere sahip olan Belle\u011fin Azmi tablosu, baz\u0131 kaynaklarda farkl\u0131 isimlerle de an\u0131lmaktad\u0131r. Orijinal ad\u0131 \u201cLa persistencia de la memoria\u201d olan bu eser, \u0130ngilizce\u2019de \u201cThe Persistence of Memory\u201d olarak bilinmektedir. Zaman\u0131n ak\u0131\u015fkanl\u0131\u011f\u0131 ve g\u00f6recelili\u011fi \u00fczerine kurulu olan bu tablo, kimi zaman do\u011frudan \u201cEriyen Saatler\u201d olarak da adland\u0131r\u0131lmaktad\u0131r. Dali\u2019nin bu eseriyle izleyiciye vermek istedi\u011fi mesaj ise zaman\u0131n san\u0131ld\u0131\u011f\u0131 gibi sabit bir olgu olmad\u0131\u011f\u0131 ve ki\u015fisel deneyimlere g\u00f6re farkl\u0131 alg\u0131lanabilece\u011fidir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"eriyen-saatler-tablosu-neyi-temsil-ediyor\">\u201cEriyen Saatler\u201d Tablosu Neyi Temsil Ediyor?<\/h2>\n\n\n\n<p>Tablodaki eriyen saatler, ba\u015fl\u0131ca olarak zaman\u0131n mutlak olmad\u0131\u011f\u0131n\u0131 ve ger\u00e7ekli\u011fin r\u00fcya ile i\u00e7 i\u00e7e ge\u00e7ti\u011fini simgeler. Dolay\u0131s\u0131yla <strong>Salvador Dali eriyen saatler<\/strong> imgesiyle zaman\u0131n kat\u0131 ve de\u011fi\u015fmez bir \u015fey oldu\u011fu d\u00fc\u015f\u00fcncesine meydan okumay\u0131 hedeflemektedir. Bu eser, Albert Einstein\u2019\u0131n g\u00f6relilik teorisinden de esinlenerek zaman\u0131n ak\u0131\u015fkanl\u0131\u011f\u0131n\u0131 ve de\u011fi\u015fkenli\u011fini sanat yoluyla anlatmaya da yard\u0131mc\u0131 olmaktad\u0131r. \u0130laveten <strong>Salvador Dali Belle\u011fin Azmi<\/strong>, sadece zaman kavram\u0131n\u0131 de\u011fil, insan haf\u0131zas\u0131n\u0131n do\u011fas\u0131n\u0131 da sorgulamaktad\u0131r.<\/p>\n\n\n\n<p>Tabloda yer alan yumu\u015fam\u0131\u015f saatler, insan haf\u0131zas\u0131n\u0131n zaman i\u00e7inde nas\u0131l de\u011fi\u015febildi\u011fini ve an\u0131lar\u0131n bazen ger\u00e7e\u011fi \u00e7arp\u0131tabilece\u011fini ifade eden ba\u015fl\u0131ca unsurlardand\u0131r. Son olarak <strong>Salvador Dali saat<\/strong> tasvirleriyle ger\u00e7ek\u00fcst\u00fc d\u00fcnyas\u0131n\u0131 yarat\u0131rken, izleyiciyi zaman\u0131n \u00f6tesinde d\u00fc\u015f\u00fcnmeye de davet etmektedir.<\/p>\n\n\n\n<p>\u0130lginizi \u00e7ekebilir: <a href=\"https:\/\/ivasanat.com\/blog\/dunyanin-en-unlu-sanat-eserleri\/\">D\u00fcnyan\u0131n En \u00dcnl\u00fc Sanat Eserleri<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"eriyen-saatler-hangi-sanat-akimina-ait\">\u201cEriyen Saatler\u201d Hangi Sanat Ak\u0131m\u0131na Ait?<\/h2>\n\n\n\n<p>Eriyen Saatler, s\u00fcrrealizm ak\u0131m\u0131na ait en \u00fcnl\u00fc eserlerdendir. 20. y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda ortaya \u00e7\u0131kan bu ak\u0131m, bilin\u00e7alt\u0131 d\u00fcnyas\u0131n\u0131 sanata yans\u0131tmay\u0131 ama\u00e7lam\u0131\u015f ve r\u00fcyalar\u0131n, hayallerin ve mant\u0131ks\u0131z g\u00f6r\u00fcnen imgelerin sanatsal ifadesini \u00f6n plana \u00e7\u0131karm\u0131\u015ft\u0131r. Sigmund Freud\u2019un psikanaliz teorilerinden de b\u00fcy\u00fck \u00f6l\u00e7\u00fcde etkilenen s\u00fcrrealistler, insan zihninin derinliklerindeki imgeleri ve d\u00fc\u015f\u00fcnceleri eserlerinde \u00f6zg\u00fcrce ortaya koymaya \u00e7al\u0131\u015fm\u0131\u015flard\u0131r.<\/p>\n\n\n\n<p>Bu tablo, zaman\u0131n mutlak olmad\u0131\u011f\u0131n\u0131 ve ki\u015fisel alg\u0131ya g\u00f6re de\u011fi\u015febilece\u011fini g\u00f6sterirken, rasyonel d\u00fc\u015f\u00fcncenin s\u0131n\u0131rlar\u0131n\u0131 da zorlamaktad\u0131r. Dali\u2019nin eserlerinde s\u0131k\u00e7a g\u00f6r\u00fclen ger\u00e7ek\u00fcst\u00fc imgeler, izleyicinin bilin\u00e7alt\u0131na hitap ederek derin anlamlar bar\u0131nd\u0131rmakta ve tablodaki r\u00fcya benzeri atmosfer, s\u00fcrrealist ak\u0131m\u0131n temel ilkelerine uygun bir \u015fekilde yans\u0131t\u0131lmaktad\u0131r.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"bellegin-azmi-nin-simgeleri-ve-anlamlari\">\u201cBelle\u011fin Azmi\u201cnin Simgeleri ve Anlamlar\u0131<\/h2>\n\n\n\n<p>Belle\u011fin Azmi tablosunda resmedilen simgeler, Salvador Dali\u2019nin sanatsal ve felsefi yakla\u015f\u0131m\u0131n\u0131 anlamak a\u00e7\u0131s\u0131ndan b\u00fcy\u00fck bir \u00f6neme sahiptir. Tabloya en \u00e7ok hakim olan fig\u00fcrlerden biri olan eriyen saatler, zaman\u0131n kat\u0131 ve de\u011fi\u015fmez bir kavram olmad\u0131\u011f\u0131 fikrini vurgulamaktad\u0131r. Bu imgeler, ayn\u0131 zamanda zaman\u0131n yaln\u0131zca saatlerle \u00f6l\u00e7\u00fclen fiziksel bir olgu de\u011fil, bilin\u00e7 ve haf\u0131za taraf\u0131ndan \u015fekillenen bir kavram oldu\u011funu ifade eder.<\/p>\n\n\n\n<p>Tablodaki \u00e7orak manzara ise insan haf\u0131zas\u0131n\u0131n k\u0131r\u0131lganl\u0131\u011f\u0131n\u0131 ve zaman\u0131n etkisiyle de\u011fi\u015fen an\u0131lar\u0131 yans\u0131tmaktad\u0131r. \u00d6n planda yer alan, g\u00f6zleri kapal\u0131 ve bi\u00e7imi bozulmu\u015f y\u00fcz fig\u00fcr\u00fc ise Dali\u2019nin kendisini temsil eden bir \u00f6ge olarak yorumlanmaktad\u0131r. Bu fig\u00fcr, ayn\u0131 zamanda sanat\u00e7\u0131n\u0131n bilin\u00e7alt\u0131ndaki imgeleri d\u0131\u015fa vurma iste\u011fini ve r\u00fcyalar\u0131n sanatsal g\u00fcc\u00fcn\u00fc de yans\u0131tmaktad\u0131r. Tablodaki sert hatl\u0131 nesneler ile eriyen saatlerin tezat olu\u015fturmas\u0131 ise zaman\u0131n ger\u00e7ek d\u00fcnyadaki etkisi ile insan zihnindeki alg\u0131lan\u0131\u015f\u0131 aras\u0131ndaki fark\u0131 anlatmaktad\u0131r.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"sanat-tarihinde-bellegin-azmi-nin-yeri-ve-onemi\">Sanat Tarihinde \u201cBelle\u011fin Azmi\u201cnin Yeri ve \u00d6nemi<\/h2>\n\n\n\n<p>Belle\u011fin Azmi, sanat tarihinde s\u00fcrrealist ak\u0131m\u0131n en ikonik eserlerinden biri olarak kabul edilmesi ile olduk\u00e7a \u00fcnl\u00fcd\u00fcr. Salvador Dali\u2019nin 1931\u2019de tamamlad\u0131\u011f\u0131 bu tablo, yaln\u0131zca kendi d\u00f6neminde de\u011fil, g\u00fcn\u00fcm\u00fczde de sanat d\u00fcnyas\u0131nda b\u00fcy\u00fck bir etki yaratm\u0131\u015ft\u0131r. S\u00fcrrealizm ak\u0131m\u0131n\u0131n temel prensiplerinden biri olan bilin\u00e7alt\u0131n\u0131n sanatsal ifadesi, bu eserde g\u00fc\u00e7l\u00fc bir \u015fekilde hissedilen konulardand\u0131r.<\/p>\n\n\n\n<p>Bu eserin sanat tarihindeki \u00f6nemi, yaln\u0131zca simgeleriyle de\u011fil, ayn\u0131 zamanda Dali\u2019nin sanatsal yakla\u015f\u0131m\u0131yla da ilgilidir. Kendi geli\u015ftirdi\u011fi \u201cparanoyak-ele\u015ftirel\u201d y\u00f6ntem ile mant\u0131k ve rasyonelli\u011fi reddeden sanat\u00e7\u0131, izleyicinin bilin\u00e7alt\u0131na do\u011frudan hitap eden imgeler de kullanm\u0131\u015ft\u0131r. Belle\u011fin Azmi, zaman\u0131n ve insan haf\u0131zas\u0131n\u0131n do\u011fas\u0131n\u0131 sorgularken, y\u0131llarca s\u00fcrrealizmin en tan\u0131nm\u0131\u015f sembollerinden biri haline de gelmi\u015ftir. Bu tablo, g\u00fcn\u00fcm\u00fczde New York\u2019taki Museum of Modern Art\u2019ta (MoMA) sergilenmekte ve d\u00fcnya \u00e7ap\u0131nda sanatseverler taraf\u0131ndan b\u00fcy\u00fck bir ilgi g\u00f6rmektedir.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"bellegin-azmi-ne-benzer-diger-dali-eserleri\">\u201cBelle\u011fin Azmi\u201cne Benzer Di\u011fer Dali Eserleri<\/h2>\n\n\n\n<p>Salvador Dali\u2019nin di\u011fer eserleri incelendi\u011finde, Belle\u011fin Azmi ile benzer temalar i\u00e7eren pek \u00e7ok tabloya rastlamak m\u00fcmk\u00fcnd\u00fcr. Bunlardan biri, 1954 y\u0131l\u0131nda yapt\u0131\u011f\u0131 Belle\u011fin Ayr\u0131\u015fmas\u0131 adl\u0131 eserdir. Bu eser, Belle\u011fin Azmi\u2019nin bir devam\u0131 niteli\u011findedir ve Dali\u2019nin zaman kavram\u0131na olan ilgisinin y\u0131llar i\u00e7inde nas\u0131l evrildi\u011fini g\u00f6stermektedir. \u0130lk tabloda g\u00f6r\u00fclen eriyen saatler burada daha par\u00e7alanm\u0131\u015f bir formda resmedilmi\u015ftir.<\/p>\n\n\n\n<p>Bunun yan\u0131 s\u0131ra, 1936 tarihli Yumu\u015fak \u0130n\u015faat ile Kaynat\u0131lm\u0131\u015f Fasulyeler (Soft Construction with Boiled Beans veya \u0130\u00e7 Sava\u015f\u0131n \u00d6nsezisi) eseri de Dali\u2019nin organik ve eriyen formlar kullanarak ger\u00e7ek\u00fcst\u00fc d\u00fcnyalar yaratma anlay\u0131\u015f\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc\u011f\u00fcn\u00fc g\u00f6stermektedir. Dolay\u0131s\u0131yla bu tabloda da, Belle\u011fin Azmi\u2019ndeki gibi deforme olmu\u015f ve yumu\u015fak imgeler g\u00f6r\u00fclmektedir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Belle\u011fin Azmi tablosu, Salvador Dali&#8217;nin en \u00fcnl\u00fc ve ikonik eserlerinden biridir. 1931 y\u0131l\u0131nda tamamlanan bu tablo, s\u00fcrrealist sanat\u0131n ba\u015fyap\u0131tlar\u0131ndan biri olarak kabul edilmektedir. Tabloda, en dikkat \u00e7ekici unsurlar yumu\u015fak bir yap\u0131da ve sanki eriyormu\u015f gibi resmedilen saatlerdir. Dali&#8217;nin \u00f6zg\u00fcn ve yenilik\u00e7i yakla\u015f\u0131m\u0131yla yaratt\u0131\u011f\u0131 bu tablo, zaman\u0131n ve ger\u00e7ekli\u011fin g\u00f6receli\u011fini sorgulayan derin bir anlam ta\u015f\u0131maktad\u0131r. Eserin [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1940,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_gspb_post_css":"","footnotes":""},"categories":[41],"tags":[],"class_list":["post-1939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basyapitlar"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/1939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/comments?post=1939"}],"version-history":[{"count":2,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/1939\/revisions"}],"predecessor-version":[{"id":1947,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/1939\/revisions\/1947"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media\/1940"}],"wp:attachment":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media?parent=1939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/categories?post=1939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/tags?post=1939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}