{"id":1352,"date":"2024-11-04T10:43:39","date_gmt":"2024-11-04T07:43:39","guid":{"rendered":"https:\/\/ivasanat.com\/blog\/?p=1352"},"modified":"2024-11-04T10:43:40","modified_gmt":"2024-11-04T07:43:40","slug":"fridanin-gunlugu","status":"publish","type":"post","link":"https:\/\/ivasanat.com\/blog\/fridanin-gunlugu\/","title":{"rendered":"Frida\u2019n\u0131n G\u00fcnl\u00fc\u011f\u00fc"},"content":{"rendered":"\n

Kahlo\u2019nun 1944\u2019ten 1954\u2019e kadar, hayat\u0131n\u0131n son on y\u0131l\u0131 boyunca tuttu\u011fu g\u00fcnl\u00fck yakla\u015f\u0131k 200 sayfadan olu\u015fuyor. \u015eiir ve spontan bir \u015fekilde yaz\u0131lm\u0131\u015f onlarca c\u00fcmle, defterin \u00f6z\u00fcn\u00fc yans\u0131tan bir belge niteli\u011finde. G\u00fcnl\u00fckte g\u00fc\u00e7l\u00fc, cesur, duyarl\u0131, ac\u0131 \u00e7eken bir kad\u0131nla y\u00fcz y\u00fcze gelirken \u00f6te yandan, en trajik olaylar\u0131n dahi \u00fcstesinden gelebilmi\u015f, mizah duygusu ve ne\u015feye sahip olan bir sanat\u00e7\u0131n\u0131n sat\u0131rlar\u0131n\u0131 okuyoruz. <\/p>\n\n\n\n

Frida Kahlo\u2019nun g\u00fcnl\u00fc\u011f\u00fc bulunup ilk kez yay\u0131mlanmas\u0131ndan bu yana yirmi y\u0131ldan fazla zaman ge\u00e7ti. Bu s\u00fcre zarf\u0131nda belgenin \u00f6nemi, Kahlo\u2019nun hem sanat\u00e7\u0131 hem de kad\u0131n olarak konumunu bilen ve takdir edenler sayesinde \u00f6ne \u00e7\u0131kt\u0131. \u00d6znel ve ayn\u0131 zamanda evrensel olan bu kay\u0131t, onun \u00f6l\u00fcm\u00fc ard\u0131ndan b\u0131rakt\u0131\u011f\u0131 en \u00f6nemli ve etkileyici miraslardan biri.<\/p>\n\n\n\n

G\u00fcnl\u00fc\u011f\u00fcn sanat\u00e7\u0131 taraf\u0131ndan yaz\u0131ld\u0131\u011f\u0131n\u0131, herhangi bir ama\u00e7 ta\u015f\u0131mad\u0131\u011f\u0131n\u0131 hatta yay\u0131mlamay\u0131 d\u00fc\u015f\u00fcnmedi\u011fini akl\u0131m\u0131zda tutal\u0131m. Bu tav\u0131r, onu ka\u011f\u0131ttan, m\u00fcrekkepten ve resimden yap\u0131lm\u0131\u015f, tamamen \u015feffaf, \u00f6zg\u00fcr ve b\u00fcy\u00fcleyici bir portre haline getiriyor. Sanat\u00e7\u0131n\u0131n metinlerine bak\u0131ld\u0131\u011f\u0131nda anlat\u0131dan ziyade \u015fiirsel bir yap\u0131 g\u00f6ze \u00e7arp\u0131yor. Bu durum yazd\u0131\u011f\u0131 mektuplar i\u00e7in de ge\u00e7erli. Duygu ve d\u00fc\u015f\u00fcncelerinin aras\u0131na kar\u0131\u015fan \u015fiirsel \u00fcslubun izlerini t\u00fcm yaz\u0131lar\u0131nda g\u00f6rmek m\u00fcmk\u00fcn. Kelimele se\u00e7imlerinde Kahlo\u2019nun avangard \u015fiirle aras\u0131ndaki bariz ili\u015fkiye dair ipu\u00e7lar\u0131 da var. Baz\u0131 tablolar\u0131, daha sonra \u2018\u2019Somut \u015eiir\u2019\u2019 olarak an\u0131lacak \u015feyle ili\u015fkilendirilebilir. Sanat\u00e7\u0131n\u0131n g\u00f6rsel ve yaz\u0131l\u0131 dille olan yak\u0131n ili\u015fkisi her yerde a\u00e7\u0131k\u00e7a g\u00f6r\u00fcl\u00fcyor. <\/p>\n\n\n\n

G\u00fcnl\u00fck, resimli ve \u015fiirsel bir eser; \u015fiirlerden, kelimelerden, mektuplardan, karalamalardan, listelerden, otoportrelerden, kaligrafilerden, harflerden, \u00e7izimlerden, lekelerden ve sembollerden olu\u015fan adeta bir sanat eseri\u2026 Bu farkl\u0131 unsurlar\u0131n birle\u015fti\u011fi yer ise, Kahlo\u2019nun i\u00e7inde akan \u00f6zg\u00fcr ve g\u00fc\u00e7l\u00fc nehir. <\/p>\n\n\n\n

Frida Kahlo\u2019nun G\u00fcnl\u00fc\u011f\u00fc: Samimi Bir Otoportre (1995)<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Samimi Bir Otoportre, Kahlo\u2019nun g\u00fcnl\u00fc\u011f\u00fcn\u00fcn renkli bask\u0131s\u0131ndan olu\u015fuyor. Giri\u015f yaz\u0131s\u0131 ise Meksikal\u0131 yazar Carlos Fuente taraf\u0131ndan yaz\u0131lm\u0131\u015f. Bask\u0131, defterindeki metinlerin bir tarnskripsiyonunu i\u00e7eriyor. Ayr\u0131ca yazar Sarah M. Lowe, Kahlo\u2019nun g\u00fcnl\u00fc\u011f\u00fcn\u00fcn \u00e7al\u0131\u015fmalar\u0131 a\u00e7\u0131s\u0131ndan nas\u0131l bir \u00f6neme sahip oldu\u011funa dair bir makale de yazm\u0131\u015f. <\/p>\n\n\n\n

Frida Kahlo\u2019nun G\u00fcnl\u00fc\u011f\u00fc: Yeni Bir Bak\u0131\u015f A\u00e7\u0131s\u0131 (2017)<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

\u0130lk bask\u0131s\u0131ndan yirmi y\u0131l sonra La Vaca Independiente, g\u00fcnl\u00fc\u011f\u00fcn renkli versiyonunu bir kez daha yay\u0131nlad\u0131. Bu sefer \u00f6ns\u00f6z\u00fc Karen Cordero Reimar ve Eduardo Casar yazd\u0131. B\u00f6ylece g\u00fcnl\u00fck yeni bir bak\u0131\u015f a\u00e7\u0131s\u0131 kazand\u0131.<\/p>\n\n\n\n

Frida Kahlo\u2019dan Esinlenen Samimi Bir Defter (2017)<\/h2>\n\n\n\n

Bu bask\u0131lar\u0131n ard\u0131ndan La Vaca Independiente, Frida Kahlo<\/a>\u2019nun g\u00fcnl\u00fc\u011f\u00fcnde eserin salt g\u00fczelli\u011fini a\u015facak bir ara\u00e7 buldu. Kahlo\u2019nun i\u00e7 ya\u015fam\u0131n\u0131n bir kayd\u0131 ve sanatsal bir nesne olarak g\u00fcnl\u00fck, ayn\u0131 zamanda olas\u0131 al\u0131\u015ft\u0131rmalarla sonu\u00e7lanan bir kendini tan\u0131ma arac\u0131 oldu. Bir ayna gibi, kendi i\u00e7 benli\u011fimizle ba\u011flant\u0131 kurmam\u0131z i\u00e7in bir alan i\u015flevi g\u00f6ren g\u00fcnl\u00fck, Kahlo i\u00e7in oldu\u011fu gibi okuyucu i\u00e7in de bir katarsis alan\u0131.\u00a0<\/p>\n\n\n\n

La Vaca Independiente\u2019nin kurucusu ve y\u00f6neticisi olan Claudia Madrazo, duyarl\u0131l\u0131k, yarat\u0131c\u0131l\u0131k ve analiz yoluyla kendimizi daha iyi tan\u0131mam\u0131za, kabul etmemize ve d\u00f6n\u00fc\u015ft\u00fcrmemize olanak tan\u0131yan bir dizi bireysel ara\u015ft\u0131rmay\u0131 \u00f6zetledi. Yazar, sinir bilimlerindeki kavramlardan yararlanarak, insanl\u0131\u011f\u0131n kendisi kadar eski bir temaya de\u011finiyor: i\u00e7sel yolculuk. Madrazo, egzersizler, sanat ve yarat\u0131c\u0131l\u0131k yoluyla kendini tan\u0131ma, ki\u015fisel g\u00fcnl\u00fckte a\u00e7\u0131\u011fa \u00e7\u0131kman\u0131n g\u00fcc\u00fc, i\u00e7e bak\u0131\u015f\u0131n ki\u015finin duygusal ya\u015fam\u0131ndaki \u00f6nemi ve zihni temizleme, dinlendirme ve g\u00f6zlemleme teknikleri gibi konulara dikkat \u00e7ekti. <\/p>\n\n\n\n

Bu g\u00fcnl\u00fck bizleri, hepimizin i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 ve yolu sanattan ge\u00e7en b\u00f6ylesi bir yolculu\u011fa \u00e7\u0131kmaya ve hayat\u0131n her an\u0131nda geri d\u00f6n\u00fclebilecek \u00f6zel bir alan yaratmaya davet ediyor. <\/p>\n","protected":false},"excerpt":{"rendered":"

Kahlo\u2019nun 1944\u2019ten 1954\u2019e kadar, hayat\u0131n\u0131n son on y\u0131l\u0131 boyunca tuttu\u011fu g\u00fcnl\u00fck yakla\u015f\u0131k 200 sayfadan olu\u015fuyor. \u015eiir ve spontan bir \u015fekilde yaz\u0131lm\u0131\u015f onlarca c\u00fcmle, defterin \u00f6z\u00fcn\u00fc yans\u0131tan bir belge niteli\u011finde. G\u00fcnl\u00fckte g\u00fc\u00e7l\u00fc, cesur, duyarl\u0131, ac\u0131 \u00e7eken bir kad\u0131nla y\u00fcz y\u00fcze gelirken \u00f6te yandan, en trajik olaylar\u0131n dahi \u00fcstesinden gelebilmi\u015f, mizah duygusu ve ne\u015feye sahip olan bir […]<\/p>\n","protected":false},"author":2,"featured_media":1362,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_gspb_post_css":"","footnotes":""},"categories":[36],"tags":[],"class_list":["post-1352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ilham-verenler"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/1352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/comments?post=1352"}],"version-history":[{"count":2,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/1352\/revisions"}],"predecessor-version":[{"id":1366,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/1352\/revisions\/1366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media\/1362"}],"wp:attachment":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media?parent=1352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/categories?post=1352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/tags?post=1352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}