{"id":1348,"date":"2024-11-07T09:23:56","date_gmt":"2024-11-07T06:23:56","guid":{"rendered":"https:\/\/ivasanat.com\/blog\/?p=1348"},"modified":"2024-11-07T09:23:57","modified_gmt":"2024-11-07T06:23:57","slug":"pablo-picasso-hakkinda-bilinmesi-gereken-5-sey","status":"publish","type":"post","link":"https:\/\/ivasanat.com\/blog\/pablo-picasso-hakkinda-bilinmesi-gereken-5-sey\/","title":{"rendered":"Pablo Picasso Hakk\u0131nda Bilinmesi Gereken 5 \u015eey"},"content":{"rendered":"\n

Picasso, d\u00fcnyan\u0131n en tan\u0131nm\u0131\u015f sanat\u00e7\u0131lar\u0131ndan biri olabilir. Peki, onun hakk\u0131ndaki bu be\u015f ger\u00e7e\u011fi biliyor muydunuz?<\/p>\n\n\n\n

B\u00fcy\u00fck Bir Hayvan Severdi<\/h2>\n\n\n\n

Pablo Picasso<\/a>\u2019nun \u00e7evresinde her zaman -insanlara duydu\u011fu \u015f\u00fcpheden muaf olan- hayvanlar olurdu. Babas\u0131 g\u00fcvercin yeti\u015ftiricisiydi ve ona g\u00fcvercinlerin nas\u0131l boyanaca\u011f\u0131n\u0131 \u00f6\u011fretti. Sanat\u00e7\u0131n\u0131n ku\u015flara olan d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fc ileriki ya\u015fam\u0131nda da devam etti. \u2018\u2019Bar\u0131\u015f G\u00fcvercini\u2019\u2019 adl\u0131 \u00e7izimi, 1949\u2019daki Uluslararas\u0131 Bar\u0131\u015f Konferans\u0131\u2019n\u0131n amblemi olarak se\u00e7ildi. Bununla birlikte ikinci k\u0131z\u0131na \u0130spanyolca \u2018\u2019g\u00fcvercin\u2019\u2019 anlam\u0131na gelen \u2018\u2019Paloma\u2019\u2019 ad\u0131n\u0131 verdi<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Eserlerinde zaman zaman yer verdi\u011fi k\u00f6pekler, hayat\u0131 boyunca Picasso\u2019ya yolda\u015f oldular. Aralar\u0131nda Teriyer, Kani\u015f, Boxer, Alman \u00c7oban K\u00f6pe\u011fi ve Afgan Taz\u0131s\u0131\u2019n\u0131n bulundu\u011fu pek \u00e7ok t\u00fcrden k\u00f6pe\u011fi vard\u0131. Evcil k\u00f6pekleri aras\u0131nda en \u00e7ok bilineni Lump\u2019tur. Sanat\u00e7\u0131 ile k\u00f6pek aras\u0131ndaki ili\u015fki bir a\u015fk ili\u015fkisi olarak tan\u0131mland\u0131 ve Lump, Picasso\u2019nun baz\u0131 tablolar\u0131nda yer ald\u0131. Sanat\u00e7\u0131n\u0131n 1973\u2019teki \u00f6l\u00fcm\u00fcnden bir hafta \u00f6ncesine kadar Picasso\u2019yla ya\u015fad\u0131.<\/p>\n\n\n\n

\u0130lk Retrospektif Sergisinin K\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Yapt\u0131<\/h2>\n\n\n\n

1930\u2019lu y\u0131llar\u0131n ba\u015f\u0131nda, ya\u015fayan sanat\u00e7\u0131lar\u0131n retrospektif sergi yapmas\u0131 al\u0131\u015f\u0131ld\u0131k bir durum de\u011fildi. Bir sanat\u00e7\u0131n\u0131n kendi k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc yapmas\u0131 ise neredeyse duyulmam\u0131\u015ft\u0131. 1932\u2019de Picasso, Paris\u2019teki Galeries Georges Petit\u2019de kariyerine dair ilk ki\u015fisel sergisini d\u00fczenledi. Matisse, bir y\u0131l \u00f6nce orada sergi yapm\u0131\u015ft\u0131 ve Picasso, kahraman\u0131 ve ayn\u0131 zamanda rakibinden daha iyisini yapmak istiyordu.<\/p>\n\n\n\n

Picasso galerideki eserlerini bizzat d\u00fczenledi. T\u00fcm eserlerinin e\u015fit \u00f6nem ve de\u011ferde oldu\u011funu belirtircesine, kariyeri boyunca \u00fcretti\u011fi eserleri tarih g\u00f6stermeden ve kronolojik s\u0131raya g\u00f6re asmadan se\u00e7ti. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Eyl\u00fcl ay\u0131nda retrospektif, Kunsthaus Z\u00fcrich\u2019e gitti ve burada psikanalist Carl Gustav Jung taraf\u0131ndan g\u00f6r\u00fcld\u00fc. Sergiyle ilgili sert bir ele\u015ftiri yay\u0131nlayan Jung, Picasso\u2019nun \u015fizofren oldu\u011funu \u00e7\u00fcnk\u00fc resim<\/a>lerinin duyguya yabanc\u0131la\u015fmay\u0131 g\u00f6zler \u00f6n\u00fcne serdi\u011fini ima etti. B\u00f6ylece sergi daha \u00e7ok duyuldu ancak ticari olarak ba\u015far\u0131l\u0131 olamad\u0131.<\/p>\n\n\n\n

Ya\u015farken \u00dcnl\u00fc Oldu<\/h2>\n\n\n\n

Picasso\u2019nun 1932\u2019deki retrospektif sergisi s\u0131ras\u0131nda, ele\u015ftirmenler onun gelece\u011fin de\u011fil ge\u00e7mi\u015fin sanat\u00e7\u0131s\u0131 olup olmad\u0131\u011f\u0131n\u0131 a\u00e7\u0131k\u00e7a tart\u0131\u015f\u0131yordu. Her iki durumda da 50 ya\u015f\u0131ndaki Picasso \u00f6nemli bir sanat\u00e7\u0131yd\u0131 ve Paul Klee onu bug\u00fcn\u00fcn ressam\u0131 olarak adland\u0131r\u0131yordu. Sanat\u00e7\u0131 ayn\u0131 y\u0131l Larousse Ansiklopedisi\u2019nin yeni bask\u0131s\u0131na girdi. <\/p>\n\n\n\n

1930\u2019lar\u0131n ba\u015f\u0131nda, d\u00fcnyan\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131n B\u00fcy\u00fck Buhran\u2019dan muzdarip oldu\u011fu bir d\u00f6nemde Picasso, pahal\u0131 zevklerinden vazge\u00e7medi. Savile Row\u2019da \u00f6zel dikilmi\u015f pahal\u0131 tak\u0131m elbisesiyle, \u015fof\u00f6rl\u00fc arabas\u0131n\u0131n arkas\u0131nda dinlenirken g\u00f6r\u00fcl\u00fcyordu. <\/p>\n\n\n\n

H\u0131zl\u0131 Bir Ressamd\u0131<\/h2>\n\n\n\n

\u2018\u2019K\u0131rm\u0131z\u0131 Koltuktaki \u00c7\u0131plak Kad\u0131n\u2019\u2019 Picasso\u2019nun 1932 yaz\u0131nda yapt\u0131\u011f\u0131 birka\u00e7 b\u00fcy\u00fck \u00f6l\u00e7ekli tablodan biridir. Bu, metresi Marie- Therese Walter\u2019in Boisgeloup\u2019taki ta\u015frada yapt\u0131\u011f\u0131 bir dizi portreden biridir. <\/p>\n\n\n\n

Sanat\u00e7\u0131, hi\u00e7bir eskiz yapmad\u0131. \u00c7izimleri ve renkleri i\u00e7inden geldi\u011fi gibi se\u00e7ti. Tablo neredeyse tek bir seansta yap\u0131ld\u0131. Picasso tuvalin arkas\u0131na tam tarihi yazm\u0131\u015f, bu da tablonun bir g\u00fcnde boyand\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnmemizi sa\u011fl\u0131yor. Yine de bunun do\u011fru olup olmad\u0131\u011f\u0131n\u0131 bilmek m\u00fcmk\u00fcn de\u011fil.<\/p>\n\n\n\n

Bir Ressamdan Daha Fazlas\u0131yd\u0131<\/h2>\n\n\n\n

Picasso kariyeri boyunca heykelle u\u011fra\u015ft\u0131 ancak bu y\u00f6n\u00fc uzun s\u00fcre bilinmedi. 1930\u2019da Paris\u2019in k\u0131rk mil d\u0131\u015f\u0131nda Boisgeloup\u2019ta bir ev sat\u0131n ald\u0131. \u015eehir ya\u015fam\u0131n\u0131n dikkat da\u011f\u0131t\u0131c\u0131 unsurlar\u0131ndan uzakta, heykel \u00e7al\u0131\u015fmalar\u0131na devam etti. Kullan\u0131lmayan ah\u0131r, ayn\u0131 zamanda bask\u0131 deneyleri yapt\u0131\u011f\u0131 \u00f6zel bir st\u00fcdyo haline geldi. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Picasso ayn\u0131 zamanda bir yazard\u0131. Bale Ge\u00e7it T\u00f6reni\u2019nde sanat\u00e7\u0131 ve yazar Jean Cocteau, besteci Erik Satie ve Ballet Russes\u2019\u00fcn kurucusu Sergei Diaghilev ile i\u015f birli\u011fi yapt\u0131. Ayr\u0131ca iki s\u00fcrrealist oyun yazd\u0131. <\/p>\n\n\n\n

Picasso, Guillaume Apollinaire ve Gertrude Stein dahil olmak \u00fczere Paris\u2019teki bir\u00e7ok edebiyat\u00e7\u0131yla ili\u015fkilendirildi.<\/p>\n","protected":false},"excerpt":{"rendered":"

Picasso, d\u00fcnyan\u0131n en tan\u0131nm\u0131\u015f sanat\u00e7\u0131lar\u0131ndan biri olabilir. Peki, onun hakk\u0131ndaki bu be\u015f ger\u00e7e\u011fi biliyor muydunuz? B\u00fcy\u00fck Bir Hayvan Severdi Pablo Picasso\u2019nun \u00e7evresinde her zaman -insanlara duydu\u011fu \u015f\u00fcpheden muaf olan- hayvanlar olurdu. Babas\u0131 g\u00fcvercin yeti\u015ftiricisiydi ve ona g\u00fcvercinlerin nas\u0131l boyanaca\u011f\u0131n\u0131 \u00f6\u011fretti. Sanat\u00e7\u0131n\u0131n ku\u015flara olan d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fc ileriki ya\u015fam\u0131nda da devam etti. \u2018\u2019Bar\u0131\u015f G\u00fcvercini\u2019\u2019 adl\u0131 \u00e7izimi, 1949\u2019daki Uluslararas\u0131 […]<\/p>\n","protected":false},"author":2,"featured_media":1372,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_gspb_post_css":"","footnotes":""},"categories":[36,34],"tags":[],"class_list":["post-1348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ilham-verenler","category-sanatcilar"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/1348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/comments?post=1348"}],"version-history":[{"count":2,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/1348\/revisions"}],"predecessor-version":[{"id":1376,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/posts\/1348\/revisions\/1376"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media\/1372"}],"wp:attachment":[{"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/media?parent=1348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/categories?post=1348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ivasanat.com\/blog\/wp-json\/wp\/v2\/tags?post=1348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}